Monday, October 6, 2008

Key No. 153

Number "153" is important enough to be included in John 21:1 with
the 1st. apparition of Jesus to the Apostles; this fable symbolizes the
whole next 2000 years of history, in the agenda of "fishing" men.
How could men be fished by the power of the magical Number 153?

First, observe the "Second Coming" image of a Risen Christ waiting
at the shore, symbol of the End of Times harvest. 153 thus relates to
the last Times; we know English Gematria only began with Sir John
Dee & company in the 1600's. Then on the Secret Foundations of the
English Language were set in place, carefully naming the numbers
1 to 9, to encode hidden keys. As Gary Val Tenuta has already
exposed in his work, there are Alphanumeric keys to this selection
of highly precise wording. Clustering by Number of Letters (a=1,
b=2, ..., z=26):

[ ONE TWO SIX = 144 ] [ FOUR FIVE NINE = 144 ]
[ THREE SEVEN EIGHT = 144+26 ]

Gary Val Tenuta observed there are 3 Sets of Successive Numbers
and 3 Stand-Alone Numbers (he called these Gaps) amongst these:

{ One Two } { Four Five } { Seven Eight }
{ Three} { Six } { Nine }

Observe how neatly the 3 Stand-Alone numbers "6" "9" "3", in
this exact order "Six Nine Three" follow the 3-4-5 letter order;
[ 666 Code = 693 ] (Code=27)


Let me then add to his line of reasoning, that if we now rather use
their NUMERIC EXPRESSIONS, further corroborations ensue:

[ ("12" + "45" + "78") + {"3" + "6") = 144 ]

Notice how only number "9" is left out. So let's add it up as well:

[ ("12" + "45" + "78") + ("3" + "6" + "9") = 153 ]

In other words the Key No. 153 was encoded into English Language
via the Alphanumerics for the first 9 Numbers, so that the 3 Sets of
double successive's and 3 Sets of stand-alone's -that compose 153-,
were clearly "engraved" into the names of the Numbers 1 to 9,
irrefutably so. For what purpose one may ask?

As the notion of "engraving" is used in the symbology of the Book
of Revelation 13:14 "Mark of the Beast", we are compelled to also
explore other traditional methods of Scriptures Encryption, such
as Notarikon (use of 1st. & last initials to 'open' new hidden words):

ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

Once again clustering by Number of Letters:
[ONE TWO SIX] [FOUR FIVE NINE] [THREE SEVEN EIGHT]

1st. Initials:
[ (OTS) + (FFN) + (TSE) = 1+123 ] as ( 123 = Conspiracy )
Last Initials:
[ (EOX) + (REE) + (ENT) = 111 ] as ( 111 = Computer )
Adding them up as a total:
[ {OTS+FFN+TSE} + {EOX+REE+ENT} = 1+234 ]

But this is the very Code of Revelation 13:18 ;

[ APOCALYPSE REVELATION = 234 ]

[ 13 x 18 = 234 ] where { 666 = 234 + 432 }

( ID = 13 ) and ( HEAD = 18 )

Furthermore, if we look at some of the 3-letter 1st. & Last Initials
of the Numbers 1 to 9 listed above, we can find at least 1 obvious
reference to the John 21:1 event, such as: [ ENT = NET ].
("Cast the NET to the right side of the boat...", "... and in the NET
were 153 fishes..."). We might also pinpoint that:

[ OTS = 54 = Sun ] [ FFN = 26 = God ] [ TSE = 44 = Anti ]
[ EOX = 44 = Anti] [ REE = 28 = Man ]

But more importantly, in the "153 " Alphanumerics:

[ "One Five Three" = 66+66 ]

Only Simon Peter & Thomas one of the TWINS are mentioned by
name as being on the boat:

[ Twin = 66 ]

This way, the "Miracle Fishing" is a fable that uses the Key Number
153 as a prophecy of the End Times, involving the Revelation 13:18
Code of "engraving", listing the 1st POPE (Simon Peter) and the last
"TWIN POPES" symbolized by "Thomas one of the Twins", which
Malachy in his own Prophecies for the Papacy named as "Peter the
Roman", altogether with the previous to last called "Gloria Olivae",
in a passage many have said was actually one single quote, not two
distinct separate ones, suggesting a complex & confusing period, or
perhaps a conspiracy of sorts, involving a Twin Pope(s).

The other Key Number 144, also alphanumerically reverts to 153:
[ "One Four Four" = 1+153 ]

Therefore a FULL expression is obtained, linking to Number 666:

( "12"+"45"+"78" ) + { "3"+"6"+"9" } = 153

( "12"+"45"+"78" ) + { "3"+"6" } + [ "369" ] = 513

[ 153 + 513 = 666 ]

Where: { 144+144+144 = 432 } as (666 = 234+432 )

The Eerie Synchronicities do not stop here; when we consider that
"459" is the Central figure in the whole 1 to 9 Alphanumeric Code:

[ "459" = 153+153+153 ]

Of course a mathematical property of Number 153 is well known:
[ 153 = (1x1x1) + (5x5x5) + (3x3x3) ]

This TRIANGULAR PROPERTY of No. 153, as well as the 3-times
144 and 3-times 153, all speak of a definitely intentional TRINITY
(TRIANGLE) symbolism, a recurring/recursive pattern throughout.

This leads us to ponder that a Holographic Fractal operation is
what was designed-to-fit into the English Language, for the express
purpose of Embedding a Triangular Structure -or shall we say- for
the purpose of ACTING AS A RESONANT KEY.

In order to accomplish what exactly, one may ask again...?

The Book of Genesis was composed using a Triangular Template,
or what is better known in theology as the HEXAMERON, explicit
in the Order of Days (6), and divisions of 3 in the narrative content.
This is what in some mystery schools was symbolized as what is
incorrectly named "the "STAR OF DAVID", which is nothing else
than both the plan view (from the top down) as well as the elevation
view (from the side) of 2 Tetrahedrons interlocked within a Sphere.

THE SPHERE IS ALL TOO EVIDENTLY THE PLANET, AND THE
THE 2 TETRAHEDRONS CONVEY THE HYPER-DIMENSIONAL
"ENTRY POINTS" from 4D to 3D; this geometrically constructed
as a full 39 Degrees Band, each inverted Tetrahedron touching the
Sphere at 19.5 Degrees from the Equator: { 19.5 + 19.5 = 39 }.

Notice how the set [ 1 2 3 4 5 6 7 8 9 ] shows a 19.5 symmetrical
figure on this linear string of numbers, its digits separated by "234"
and "678" (while: 678-234=444).

Eerily enough, the only 3-letter set of initials of the Alphanumerics
from 1 to 9 previously listed, that did lead to a recognizable word
was: [ ENT = NET = 39 ]. This leads me to think that the hidden
meaning of "NET" in the Miracle Fishing, could be precisely this very
39 Degree angle; to put it in another way, it could symbolize the act
of "CASTING A NET AROUND THE PLANET", specifically
at the 19.5 Degree from the Equator on each hemisphere (where
the Tetrahedrons touch the Sphere). So: [ NET= 39 =ANGLE ].

If we consider as "equator" THE ECLIPTIC instead of the the real
Equator, suddenly we realize that the area where the Pyramids of
Giza in Egypt are, and slightly north of Israel (current Syria), and
almost exactly where the island of CYPRUS stands, falls very close
to this 19.5 Degree angle. Would that be the true reason the Knight
Templar's chose Cyprus as their headquarters...?

Are all these "spiritual coordinates" and "prophecies" perhaps just
the re-enactment of PREVIOUS EVENTS OR ATTEMPTS...? Was
famous musician Neil Young right when he sang (in the song "Like
an Inca"): "Said the condor to the preying mantis We're gonna lose
this place just like we lost Atlantis"...?

We are forced to consider that the highly detailed and elaborate blue
prints staggeringly embedded in Language via Fractal & Holographic
synchronicities, do not seem to be a result of a "1st time in process"
but rather more like a "spiritual franchise" operation, repeated in
franchise/paste mode. This can be thought of both as repeated
from the Past, as well as from Parallel Realities, and in the case
they were repetitions of Holographic Templates from higher realms
in 4D, they would thus be "seen from our perspective", as FROM
THE FUTURE.

Architect Peter Eisenman developed decades ago a concept of this
resemblance, which he coined "Anti-Memories", i.e. Memories of
the Future colliding with the set of archetypal Memories from the
Past. If we picture this in terms of WAVES, the effect would be
in the form of Interference Patterns, which naturally is the very
essence of Holograms. Therefore another avenue of thought in
regard to the necessity of a Holographic Reality, is to conceive it
as a sort of the COLLATERAL DAMAGE OF HAVING PARALLEL
TIMELINES "Converging" unto a specific "reality" or "locality"
in linear Space-Time, creating these Interference Patterns that
would affect all phenomena, including ... Language itself.

But this is exactly the way I've always explained how GEMATRIA
works within Language; you have a naturally evolved utilitarian
linear-logic and specific to the object type of Language, traceable
to historical processes, UPON WHICH ANOTHER HIDDEN SET
OF FRACTAL SYNCHRONIC LANGUAGE IS EMBEDDED, in
such a way that for all practical purposes you have a Language
normally coming from the less-evolved past, and another coming
from a more evolved future (or even more advanced events in
the Far Past, akin to Quantum Time Waves, when the 3D veil
was trespassed using higher science).

In this case, the perennial "We Have Been Here Before" DEJA-VU
could be the true mode of fractal-ization of this Superior Language,
more akin to a "Quantum Language" in its nature.

Even the Book of Genesis seems to refer clearly to such scenario,
as we are treated to the allegory of the "Tower of Babel" and the
"DIVISION OF LANGUAGE".


































2 comments:

Gary Val Tenuta said...

Hi Chris -
That is some interesting data you have put together there. Your expansion of my AlphaNumber concept is something I hadn't even thought of. Nice work! And I agree with you about the idea that there is something "holographic" underlying the nature of this letter/number phenomenon. Here is a link to a paper I wrote that your readers might find interesting:

http://www.authorsden.com/visit/viewarticle.asp?AuthorID=66306&id=32260

It doesn't go into the holographic idea but it is an attempt to explain, at least in part, why all of this seems to work.

Some of what you wrote in this blog reminded me of an email that I sent to a few other folks during an email discussion about 4.5 being the center of 9. A friend of mine in England (Lui DiMartino) has taken this 4.5 concept and built it into a fascinating theory involving music and numbers and how 4.5 can be shown to be a kind of "doorway" to a mirror verson of this side of our "reality". It's called "Music and Numbers Through the Looking Glass (http://www.missionignition.net/lui/index.php).

Below is the email that I mentioned. You'll find some familiar ideas expressed here.
------------------------------------

Introductory Notes:

The following progression of conceptual number-synchs unfolded as I contemplated the idea of "4.5" being the "center" of attention in our discussions lately. Something interesting seemed to be going on as this flow of information progressed, especially in the section toward the end which begins with CODE=27.

I wish this could read like a normal text written in clear prose but, as you know, this is a whole different "language" we're dealing with here. It's more a language of concepts and clues. It's so abstract that only someone with at least a bit of familiarity with this "language" can really get the "gist" of it, so to speak.

As you'll see, I began with the phrase "FORTY FIVE". I used this instead of "FOUR POINT FIVE" because the alphanumeric value of FOUR POINT FIVE is 176 and I didn't recognize that number and didn't know what to do with it. I later discovered, however, that the alphanumeric value of ONE SEVEN SIX is 151, a significant number associated with a great many phrases related to Jesus (CHRIST JESUS = 151), the church at Rennes le Chateau, and various other things related to Christianity. The number 176 is also a rearrangement of 167, which Lui DiMartino discovered is the total number of Major Scales in music as well as the alphanumeric value of the phrase "TRIANGLE OF KEYS". Nevertheless, I began with FORTY FIVE because I knew it had a significant alphanumeric value of 126 and that it corresponds nicely with the reverse of FORTY FIVE, namely FIFTY FOUR = 126. Furthermore, ONE, TWO, and SIX comprise the "three-letter set" of word-numbers in my AlphaNumber Table. The alphanumeric value of ONE TWO SIX is 144, a number associated with the concept of "light" in some esoteric schools of thought and was shown to be the case by Bruce Cathie in his work with number harmonics (see, for example, his book, The Harmonic Conquest of Space), where he calculated the speed of light in a vacuum to be 144,000 nautical miles per "grid" second. The "grid" refers to his discovery of what he believes to be some sort of electromagnetic grid engulfing the earth's surface. The concept of "light", as you will see, was an integral element in this unfolding progression of alphanumeric synchs.

The Great Pyramid is said to have originally been completely covered with 144,000 sheets of polished limestone which gleamed like fire from the reflection of the sun. That made me think about the word "pyramid". In this context it conjured up in my mind the word "pyremid" substituting the word "pyre" in place of "pyra". Pyre is an old word pertaining to a fire used to burn the dead, as in "funeral pyre". Of course "pyra" appears that it may be the root of the prefix, "Pyro" as in pyrotechnics, a display of fireworks, or pyromaniac, a person obsessed with starting fires. The suffix, "mid" would seem to suggest "middle", thus, the word "pyramid" could be seen as "fire in the middle".

PYREMID = 90
90 + 144 = 234 = THE GREAT PYRAMID OF GIZA = FIRST LIGHT OF CREATION

Also I'm reminded of something from Michael Morton. He says:
<< The volume of the outer dimensions of The Sarcophagus in The King's
Chamber is precisely 144,000 Cubic Inches . . . regular inches, not
"pyramid inches" . . . as we have shown very recently. Repeatedly, we
are shown the 'gematrian' number 144 and various decimal harmonics of
144, throughout this very ancient (now re-discovered . . . see Munck)
planetary matrix. >>

Again, this was a progression of thoughts/ideas/phrases that unfolded in the order shown here. In other words, beginning with "FORTY FIVE IS THE CENTER", one thing just led to another. All the numbers are multiples of 9 and the phrases are all conceptually interrelated to one degree or another. As ususal, I had no idea where this flow might go, so I just go with the flow and see where it goes.

Okay, enough of the "Introductary Notes" already! Here's the stuff:

----------------------------------------------------------
FORTY FIVE IS THE CENTER = 252 = (126 x 2) = ONE HUNDRED FORTY FOUR = CHRIST CONSCIOUSNESS
ONE TWO SIX = 144
ASCENSION CODE = 126 = FORTY FIVE = FIFTY FOUR = SPEED OF LIGHT = NINE IS LIGHT = ELEVEN ELEVEN

(Note re "ELEVEN ELEVEN" : Some say the 11:11 phenomenon (google it if you're not familiar with it) is associated with "ascension" of consciousness into a higher state of awareness. Thus the equation of ASCENSION CODE=126=ELEVEN ELEVEN seems a rather enticing synch in this case; especially so when you consider the ancient Egyptian belief that when the pharaoh died his body ascended into the Kingdom of Orion. Furthermore, as Hancock & Bauval have pointed out, there is a shaft inside the Great Pyramid, eminating from the King's chamber, that pointed directly toward the brightest of the three stars in Orion's Belt.)

NINE IS THE CODE NUMBER OF THE DIVINE TRANSITION = 459
FOUR FIVE NINE = 144 = NINE IS THE KEY = THE SECRET KEY

NINE IS THE HOLOGRAPHIC NUMBER = 288 = 144 x 2

FORTY FIVE IS THE MIDDLE = 234 = THE GREAT PYRAMID OF GIZA
45 + 45 = 90 = PYREMID
FORTY FIVE IS THE FIRE = 225 (Re: "fire in the middle")
NINETY DEGREES IS THE KEY = 252 = GEOMETRIC SHAPE OF A PYRAMID = CHRIST CONSCIOUSNESS = FORTY FIVE IS THE CENTER

SQUARE BASE = 108 = GEOMETRY
A square is 4 sided:
90 x 4 = 360 = THE TREE OF THE KNOWLEDGE OF GOOD AND EVIL

THE CENTRAL FIRE = 144 = FIRE OF CREATION

FORTY FIVE IS THE FIRE = 225 = DEOXYRIBOSE NUCLEIC ACID (or DNA) = DIVINE LIGHT OF CREATION

FORTY FIVE = 126 = NINE IS LIGHT = SPEED OF LIGHT
ONE TWO SIX = 144 = THE CENTRAL FIRE = FIRE OF CREATION = NINE IS THE KEY = THE SECRET KEY

FORTY FIVE IS THE FIRE IN THE MIDDLE = 333 = THE VIBRATIONAL FREQUENCY OF NINE
3+3+3 = 9
3x3x3 = 27

A pyramid consists of 4 triangles.
THE FOUR TRIANGLES = 198 = ALL THAT IS AND IS NOT

FOUR CORNER STONES = 225 = THE DIVINE CODE IS THE KEY = DEOXYRIBOSE NUCLEIC ACID (or DNA) = DIVINE LIGHT OF CREATION

KNOWLEDGE IS FIRE = 162 = LIGHT OF CREATION = THE LIGHT NUMBER
ONE SIX TWO = 144, the number associated with the concept of "light".
KNOWLEDGE IS LIGHT = 180

THE FOUR TRIANGLES OF KNOWLEDGE = 315

THE ZERO POINT = 171 = THE CREATION OF LIFE = POSITIVE LIGHT = DIVINE GEOMETRY

THE ZERO POINT + FORTY FIVE = 297 = THE LANGUAGE OF NUMBER IS THE KEY = THE NUMBERS OF THE GREAT WORK

TRIANGLE + TWO = 144

UNIVERSAL TRIANGLE = 207 = SIX DAYS OF CREATION = DIVINE FIRE OF CREATION = LIGHT+ENERGY+MATTER

THE FOUR TRIANGLES + SQUARE BASE = 405
____________________________________
Note: Re: 405: The Great Pyramid is said to be located at the exact center of the earth's composite land mass. See how this 405 works in here:

THE GREAT PYRAMID OF GIZA = 234
CENTER OF THE EARTH = 171
234 + 171 = 405 = THE FOUR TRIANGLES + SQUARE BASE

405 is a decimal harmonic of 45 and 4.5, each associated with "center" or "middle". This is a nice synch considering the idea of the Great Pyramid being located at the "center" of the earth's land mass. Notice the two phrases, "THE FOUR TRIANGLES" and "SQUARE BASE", essentially describe the geometric shapes comprising the form of a pyramid.
____________________________________

BASE = 27 = CODE
BASE CODE = 54
FIFTY FOUR = 126 = FORTY FIVE

SQUARE BASE CODE = 162
ONE SIX TWO = 144
THE SQUARE BASE CODE OF THE GREAT PYRAMID OF GIZA = 450 (Harmonic of 45)
THE CODE OF THE GREAT PYRAMID OF GIZA = 315 = NINE IS THE TRANSITION NUMBER
THE BASE CODE OF THE GREAT PYRAMID OF GIZA = 342 = THE SIX DAYS OF CREATION IS THE KEY = NINE IS THE TRANSITION CODE NUMBER

THE BASE CODE IS THE KEY = 189 = SQUARE OF THE SUN
The phrase "Square of the Sun" is interesting here. The Greek concept of the spiritual form of the physical sun was "Helios". Helios was represented in Sacred Geometry as a "square" within a circle. "Square" is the shape of the "base" of the pyramid.

GEOMETRY OF THE SQUARE = 243, the reverse of 342 (see above).
GEOMETRY OF THE SQUARE BASE = 270 = NORTH+SOUTH+EAST+WEST = THE THREE BREATHS OF THE SUN

Note: The phrase "The three breaths of the sun" is interesting in this context. One complete revolution of the sun is equal to 27 earth days. Also, 27 is a base ten harmonic of 270. If each revolution of the sun is considered to be a "breath", then three breaths of the sun would be 27x3 or 81, the alphanumeric value of SQUARE.

54 is the alphanumeric value of each of the following: SUN, TONE, NOTE, BREATH, VOICE

THE THREE BREATHS = 162 = THE THREE TONES
THE THREE SUN BREATHS = 216 = THE THREE SUN TONES
THE THIRD REVOLUTION OF THE SUN = 351 = ONE HUNDRED FORTY FOUR SACRED UNITS
351/3 = 117 = NEGATIVE+DARK = NINE LEVELS = NINE LIGHTS = MAJOR KEYS

Note: 117 (NEGATIVE+DARK) is the counterpart to 171 (POSITIVE+LIGHT).
171 - 117 = 54 = SUN = TONE = NOTE = BREATH = VOICE

This idea of sun tones is interesting in light of what I found recently that supports this otherwise odd notion:
--------------------------------------------------------------------
“Scientists from the Ulysses mission have proven that sounds generated deep inside the Sun cause the Earth to shake and vibrate in sympathy. They have found that Earth’s magnetic field, atmosphere and terrestrial systems, all take part in this cosmic sing-along. David Thomson and Louis Lanzerotti, team members of the HISCALE experiment, on board Ulysses, together with colleagues Frank Vernon, Marc Lessard and Lindsay Smith, present evidence that proves that Earth moves to the rhythm of the Sun. They show that distinct, isolated tones, predicted to be generated by pressure and gravity waves in the Sun, are present in a wide variety of terrestrial systems. (excerpt from article at the website of the European Space Agency, reprinted at http://classicalmusicnews.tv/category/the-musical-universe/
--------------------------------------------------------------------

CODE = 27
DECODE = 36
36 - 27 = 9
NINE IS THE KEY = 144 = THE SECRET KEY

DECODING THE KEY = 135
THE CODE IS THE KEY = 162
162 - 135 = 27 = CODE
ONE SIX TWO = 144 = NINE IS THE KEY = THE SECRET KEY

THE DIVINE CODE IS THE KEY = 225 = FORTY FIVE IS THE FIRE = DEOXYRIBOSE NUCLEIC ACID (or DNA) = DIVINE LIGHT OF CREATION
NINE IS THE KEY = 144 = ONE SIX TWO
NINE IS THE CODE KEY = 171 = THE CREATION OF LIFE = POSITIVE LIGHT = DIVINE GEOMETRY
THE CODE IS IN THE TONE = 198 = ALL THAT IS AND IS NOT
THE TONE IS THE KEY = 189 = THE BEGINNING AND THE END = MAGIC SQUARE OF TONE
THE THREE TONES = 162
162/3 = 54 = TONE = NOTE = BREATH = VOICE = SUN
THE THREE TONES OF THE EGYPTIAN SEASONS = 405
THE TONE WAS MALE AND FEMALE = 222 = THE THREE OVERTONES =THE MAGIC SQUARE
OF TONE = ALPHANUMERIC SYSTEM
222 x 3 = 666

TWO TWO TWO = 174 = FREQUENCY KEYS
174 x 3 = 522 (the sum of ZERO+ONE+TWO+THREE+FOUR+FIVE+SIX+SEVEN+EIGHT+NINE)
SIX SIX SIX = 156
156 x 3 = 468
522 - 468 = 54 = TONE = NOTE = BREATH = VOICE = SUN

222/2 = 111 = MALE DNA + FEMALE DNA = DARK MATTER = SUN + MOON

ENERGY+MATTER = 151 = ONE SIX SEVEN = MUSICAL TONES = FIFTH DIMENSION = JESUS CHRIST
My friend, Lui DiMartino, discovered 167 to be the alphanumeric value of the phrase, TRIANGLE OF KEYS. This corresponded with his previous discovery that there are 167 Major Keys in Western music theory.

BASE NOTE or BASE TONE = 81 = SQUARE = SOURCE
EIGHTY ONE = 108 = SQUARE BASE = GEOMETRY
THE GEOMETRY OF TONE = 216
TWO ONE SIX = 144
THE GEOMETRY OF THE THREE TONES = 324 = 81x4 or SQUARE+SQUARE+SQUARE+SQUARE
This reminds me of the "Four Square Church of Christ".
THE FOUR SQUARE CHURCH OF CHRIST = 333 = THE VIBRATIONAL FREQUENCY OF NINE
54 squared is 2916.
2916/3 = 972
972/3 = 324 = THE GEOMETRY OF THE THREE TONES

THE SQUARE BASE OF THE GREAT PYRAMID OF GIZA = 333 = FORTY FIVE IS THE FIRE IN THE MIDDLE = THE VIBRATIONAL FREQUENCY OF NINE

The length of each side of the square base of the Great Pyramid is 756 feet.
756 x 4 = 3024, a base ten harmonic of 324 or 81x4 or SQUARE+SQUARE+SQUARE+SQUARE.

THE SIXTH DAY OF CREATION IS THE KEY = 351 = IN THE BEGINNING WAS THE ZERO POINT = ONE HUNDRED FORTY FOUR SACRED UNITS

ONE INCH IS THE SACRED UNIT = 243 = GEOMETRY OF THE SQUARE
ONE HUNDRED FORTY FOUR SACRED INCHES = 360 = THE TREE OF THE KNOWLEDGE OF GOOD AND EVIL
----------------------------------------------------------------------------------------------------------

This all seems like threads weaving another part of the whole image into some Great Tapestry. Maybe one day, with enough pieces from enough people, we'll be able to catch a glimpse of the big picture, eh?

chris hohn said...

In our 3D "reality", thoughts and
numbers and words MATERIALIZE in
physical forms. But if a "Beyond the Mirror" reality would exist,
then -in reverse- material bodies
and people would "materialize" into
WORSDS & NUMBERS. Sort of like Matter is to AntiMatter, and both
"reaoties" would be INTRINSICALLY
TIED & DEPENDENT ON EACH OTHER. So
perhaps Gematria is the awareness of this symbiosis. Just maybe.
CHRIS HOHN.