As head of the OEA (Organizacion Estados Americanos), a United
Nations offshoot as disfunctional & irrelevant as any of the sort, he
goes FECAL a'la FEL-ipe CAL-deron of Mexico, in promoting the
"Mexifornia" disaster as recipe for the USA.
We are talking about Jose Miguel Insulza, a chilean socialist -more
aptly named a "Faux Socialist" (you know, a New World Order shill
passing off as leftist)-, who at an almost geriatric 67 years old has
forgotten that the USA during his exile under Pinochet's rule, took
him in at the United States Institute and the Center for Economic
Research and Studies.
Insulza -in the face of a 70% support of americans to the stance of
Arizona (the single issue on which americans agree to a tee), and
16 states considering similar legislation to enforce the Constitution
laws (i.e. to actually have a national border), and the vast majority
of LEGAL IMMIGRANTS also supporting same stance...!-, calls the
1 Million illegal immigrants a year that slip through the Mexican
border (and the already here illegally 30 million) a -I quote here
for your disgusting pleasure- ..."NATURAL PHENOMENON"...
Well see, Insulza is married to a... mexican; that might also in part
explain a few things, now wouldn't it...? Call it "Conflict of Interest".
This marriage might also explain why a chilean like Insulza for the
1st time ever, holds a high int'l position; Mexico and the New World
Order agenda these days, seem to mean the same exact thing. How?
Defined as "Faux" banana governments, reverse-speech politics, a
verifiable status-quo of "irregular presidential elections" (Calderon
was "not" properly elected), DRUG CARTEL ECONOMY, violence
& extreme crime, human trafficking, governments that don't seem
to do their job at all (Mexico has no real social security programmes,
it outsources those to the USA, this country "must" immigrate-in
its untaken-care-of citizenry, en-masse), over the top corruption,
a mass of illiterate population, out of control human reproduction,
etc etc etc. Meantime mexican Carlos Sims every few years is the
world's richest man; in the face of some of the continent's most
horrid poverty in Mexico.
Insulza also said in his formal OEA declaration, that Arizona is by
all means "DISCRIMINATING" against latinos; gee, when this
state does not want to go broke & dysfunctional as California -the
mecca of porn & overspending (no meca/fecal pun intended, as in
spanish 'meca' is 'caca'/sh*t, CA), & decides to act against a scary
rising tide of drug-related (or not) mexican 'extreme' crime wave
-in Phoenix the kidnapping of americans taken south of the border
for ransom is up the roof, beyond belief-, in the midst of the worst
ever Great Depression (real unemployment is 20%), then to bluntly
accuse this defensive-emergency rational mood as "discrimination"
has to fly in the face of the most elemental common sense.
In modern history, there has not been a country that has been more
tolerant of immigration than the USA, by a long shot, hands down !;
how can then a total sellout as Insulza dare to label Arizonians (and
by extension the 70% of americans who support Arizona) in terms of
being "discriminatory"...? The USA is the 1st white country to ever
elect a black president, has for decades not only allowed in, but in the
most emblematic way fully welcomed with true open arms the latino
population. It is only NOW, that the Great Depression is upon us, &
that the illegal immigration as pushed "beyond the rubicon" by the
New World Order agents -(creating a crime wave & a Balkanization
of the USA, as 5th Column in the elite War Against the Middle Class)-,
that for the 1st time "ever" americans react against this manipulated
chaotic insanity on the part of the Powers-That-Be. Then here comes
Insulza parroting the New World Order reverse-speech lingo like a
geriatric absent-minded moron, in the middle of all this rising tide of
awakening and resistance. You only have to go out to eat (the myriad
of mexican restaurants), pass by a construction site (100% mexican
workers), or simply drive around or just look in a Google Map the
names of many posh neighborhoods with beautiful spanish names
and streets, to realize how open the USA has been to latinos all along
-without the need to vacation in Miami or California as the extreme-.
Does this country need a phony Insulza like politico to criticize its
former open arms immigration attitude towards mexicans...?
You know, Insulza is a chilean Socialist Party leader; & Chile is well
known to be "the" most Xenophobic country in the continent. Ironic
then that Insulza would feel like giving lessons on Xenophobia. For
all intents, chileans also have seemed to have come to the conclusion
that official Socialism there, is "Faux" -just a pretend cause, for all
these power hungry bureaucrats to win elections-; the left-of-center
Concertacion (Coalition) in Chile recently just lost the presidential
election to a right-of-center billionaire (the 1st time in 50 years the
Right in Chile wins an election, explainable due to Pinochet's rule
for 17 years). Current polls prove that 56% of chileans totally not
approve the Concertacion left-of-center "faux" behaviour, having
become and odious Concertacion in their minds; not surprisingly,
during the primaries, the real new force in Chile was one Marco
Enriquez Ominami, doing to the official Left there what here in the
USA Ron Paul is doing to the official Right -ie.e calling it corrupt
and a sellout to the New World Order- (except in Chile this kind
of mental discourse still in its infancy, if at all; they still speak the
Left-Right 19th century worn out paradigm and present Big-Lie
of mainstream media). It has become painfully evident in Chile,
that either for politicos, or for well-to-do people like argentinian
genius soccer coach Bielsa (currently coaching the chilean team
that will play the coming World Soccer Cup), it is oh-so easy to do
the "I love the Concertacion" walk and actually believe it I mean,
while for the rest of chileans conditions are not as shiny or rosy as
purported -thus their support to the Concertacion at an all time
low, call it a full freefall dive-.
All of which of course echoes the exact same conundrum that an
Obama as "Faux" supposed man-of-the-people is experiencing in
the USA, for exactly the same reasons of deep-seated grievances,
also freefalling in the polls, in ostensible prevailing anger -the only
1st World people to actually still believe his dog & pony show by &
large are the europeans, quite naively so (or for vested interests,
as for ex many like Lyndon LaRouche have denounced Obama as
just a shill for the British, rather the City of London secret elite,
which is becoming accutely evident through the British Petroleum
catatrophe in the Gulf)-. Eerily while Bush had its Katrina, Obama
is having his own Oil Spill 'katrina' at exactly the same geographic
spot, so did the ousted chilean Concertacion almost had its very own
'katrina', as their first 12 hours response to the 8.9 Earthquake in
Chile, was pathetic:
www.telegraph.co.uk/news/worldnews/northamerica/usa/barackobama/7805775/Obama-loses-the-Left-suddenly-its-cool-to-bash-barack.html
Of course what's going on is not that Obama or the chilean main
Concertacion agenda "loses the Left", but in truth they have both
LOST THE INDEPENDENTS, which are the real rising majority
all over the world. People presently will "elect" whomever they
view as "The Least Damage" to an already highly toxic/destructive/
dysfunctional government, truly not for-the-people-by-the-people
anymore than corporations or media are, for that matter. Electing
the "least evil" is definitely a sign of a total breakdown in trust in
politicians; people will put in office anybody from any Left/Right
balloney plaftorm, as long as they are slightly less dangerous than
the former, that is what politics has become. You got "choice": it is
Pepsi or Coke, period... And both Pepsi or Coke once in alternating
power, will all the same push their New World Order agendas pre-
scripted and shoved down the people's throats, constantly in full
taunting of the opinion of the people, as emblematically in the case
of the 70% of americans (& also Legal Latino Immigrants) who by
overwhelming majority support Arizona's lawful & ethical stance.
So Insulza, stop Insulting the real people with your pre-scripted
false "humanitarian" peptalk, and start listening to the people in
your own country for a change.
It would be enlightening for chileans to learn an actual proportion
based COMPARISON between Chile & the USA as to the illegal
immigration issue; imagine for a moment that Chile's northeast
neighbor Bolivia was of a different Race & Language, seeking an
active "Reconquista" of the lost (in war created by Bolivia) now
north-Chile territories, using for that agenda the ruse of "illegal
immigration". Imagine then in this peculiar hairy situation, that
1.6 MILLION of those "La Raza style" bolivians w/attitude were
already illegally in Chile waiting a massive Amnesty, while every
year no less than 3500 slipped through the Arica region border
into Chile. Imagine that these had developed a highly deliberate
and sophisticated "Anchor Babies" strategy of reproduction to
this end, that they were NOT interested in chileans or in Chile
itself as in itself, were not wanting to speak chilean language,
that demanded in each major city to have at least 2 TV channels
of their own language, that they had negotiated to obtain tax-
payers financed free education (and bilingual teachers/programs,
some promoting the bolivian agenda), that they took jobs every
where you look (claiming chileans "do not want" these type of
jobs), that they do not pay taxes and sent half of their earned
money back to bolivia, that a sizable segment of these were
actively involved in either the drug crime syndicate or in gangs
of the worst imaginable nature operating rampantly in big cities
and slowly moving in to smaller towns as well, that they possess
an ingrained culture of guns & violence, that they call chileans by
the deriding nickname "Hueros" even in public at the job, that
they had penetrated the health care/welfare system which they
use to their taking care of like a subset mafia, that they bring in
a notorious deadly penchant for reckless driving, and that they
in fact debase the entire wages/labor structure by becoming a
de-facto disguised slavery of sorts, ruining the Middle Class
(often referred as "Insourcing coupled with Outsourcing", take
the jobs to the 3rd World, while bringing in the 3rd World into
the country via massive illegal immigration human Dumping).
Etc, etc, etc. You get the picture...
How would chileans react to this Mr "Insulta"...? Let me tell you
exactly how they would react if this scenario happened over in
Chile as it is in Proportion Based Comparison happening today in
the USA; without a doubt chileans would have been shooting at
illegals if this was the case, and this is no exaggeration ! Yet I have
not heard of any americans shooting at illegal mexicans; whereas
the true nature of what is happening is concealed by government
& media -and big New World Order agenda politicos anchored in
organizations like the OEA, like Insulza-, the independent people
have it very clear, crystal loud & clear. They KNOW the GAME,
they know they are being ATTACKED, and they want it stopped;
meawhile all these sellout 'has-been' politicos like Insulza, will
keep parroting the reverse-speech lies into oblivion, unto their
own guaranteed slow fadeaway demise ending, apparently sooner
than later -that the big surprise here-.
On top of all this, it is no mystery that radical islamic jihadists come
into the USA using precisely the "open & free" Mexican border, as
they have learned to easily pass off as "mexicans". Meanwhile we
the people have to be degraded in Airport "security" and such full
nonsense paraphernalia of procedures; it is the same with Legal
immigrants, who must go through a stringent procedure of many
years, pay their fees, are submitted to interviews, thorough intel
agency performed background checks, must pass a medical exam
including X-rays and vaccine, etc. Meanwhile all these "who knows
who they are" masses of mexicans just walk in through the border
like it's their own home, in the biggest travesty in modern history.
Just because the Powers-That-be have a long-term covert treaty
of DRUG TRADE AGREEMENT TO THIS END; Mexico does the
bring-the-drugs-in part, as the USA gives jobs and social security
programmes to the abandoned by their corrupt government poor
citizens of Mexico. What a crying shame...!
Monday, June 7, 2010
Wednesday, June 2, 2010
Notes on the "Way Out" conundrum
In this blog as well as in person, here & there I get asked by some
individuals "how to get out" of the Matrix. As if you could just get
out... without first knowing why you are here in the first place.
I never performed live music simply to gain something or to feed
the Ego; both seemed to me very empty ways of killing the power
of magic. I always played to attain/achieve the "wave", to tune in
or into the infinite Consciousness of Love; likewise I don't charge
for this blog.
See, there are no fixed answers fit to all, because the real deal is
there are no fixed questions to all. Everybody has his own road
less traveled to tread, according to the reasons why we're here, in
specific to each. Pondering abstractly on the "Meaning of Life" has
to be a delusional exercise, when devoid of PERSONAL blueprints;
this is why I always loved music, it is "so" overwhelmingly personal,
yet precisely because of that, at the same time so universal.
The real road -the real questions & answers- are within YOU. But
the "I" is not who & how we "think" we "are", that is the trick; it is
getting to understand the "I", how we find the hidden clues as to
why we are here, in a personal sense. This is the era of the end of
gurus, and I never sought to be one; this is why music became so
important and popular, live music specially, the sharing of the wave.
Thinking there is a set of keys to get out, is like thinking there is a
Saviour that will do the getting out for me, when it is YOU who has
to do the job. In the next video, these 3 (including the cameraman)
went about Helping Others instead of just getting out; Maxwell
cites a Tibet lama, "Bad news is we don't have the key to heaven,
good news is there was never any lock to begin with". Underlining
this is the notion that Service-To-Self is a delusion based on shallow
perceptions of the "Self" (as separate), while Service-To-Others is
a more mature and apt posture, better attuned to the real.
www.youtube.com/?v=gRTS-Zsd6ZM
As the song went "Love is the opening door, love is the key we must
turn, freedom the lesson we must learn, do you know what I mean".
Freedom here means, freedom from the false delusion of who we
"think" we "are", the "Self" box. This is the real 1st step in the oh-so
unfathomable getting out of the matrix trip; the matrix starts with
the "I" box, and you are the most immediate prison warder of your
own self. That is why I always sang; to release my true self from this
false "I", the first and most intimate prison of all. Dan Winter was
right in pointing out that there are INFINITY WAVE embeddings
that flash-construct a nest that "opens up" the material box of a
shell cage, and that these are found in the frequencies of Love, but
where/how this love resides/works, is another matter altogether.
Infinity Waves only resonate to the Love vibe, and love will only
resonate to the TRUTH vibe, and you cannot "open up" the cage
unless you cease & desist from trying so much to be yourself as you
"think" you "are". And part of this wrong thinking is assuming
that all you've heard about the chakras and the maps of the soul
is actually as it is, as told to "you".
How is that, you may ask...? Well, the point being, that when we
just assume we already "know" who we "are", then the matrix
will magnetize/attract those experiences and the "knowledge"
implicit to that "I" at work; in other words, you will indeed get
the perfect Ear-Candy that will massage that delusion, albeit in
the most elaborate manners. You will get highly systematized
and intricate methods, loaded with philosophical support frames,
laden with history and so forth. This is why I never trusted either
philosophy or religion. It's not that they are necessarily "devious"
(which sometimes they might be) things, but they are very dull,
behind all that paraphernalia, there is one dull delusion, because
they are manufactured around the false identity of the "I".
You have to from the getgo stop trusting "history" so much; this
involves your own personal history as well... It all goes straight
into the "I" box prison delusion; history exists yes, but it's built
just as the Matrix is built, riddled with "staged-reality". It's wiser
then to begin by considering now the possibility that you yourself
as you have come to "think" you "exist" with an identity, are but
nothing more than... an ACTOR... -playing a staged drama for...
yourself...!?-.
In the previous May 31 post "KUBRICK Tutorial 1", some crucial
notions to this theater-construct are presented; Bill Hartford (Tom
Cruise) is in a dream-reality going through the motions of his own
unresolved insecurities, attuning to the manifestations of all this
internal chaotic hubris. It's not that the events do not occur as they
do in normal life -cause they do, and the film is about actual normal
life events-, yet Bill Hartord is a 'Stepford' only slightly better than
the programmed Monarch slave types that are shown, in the sense
he is yet unable to see that who he "thinks" he is (the doctor, the
husband/father, the good social class new yorker), is precisely the
reason things are taking a shocking twist as they do, because he is
"manifesting" the delusional staged-dream, getting caught in the
maze of his very own self as a trap/cage. Totally unable to perceive
anything beyond his utter blindness to the Matrix and the nature of
the social circles he so much admires and seeks to be a apart of (the
satanic illuminati disguised as the well-to-do with all the glitter and
Ego rewards -and the big bait sex, of course-), the Hartford/Stepford
character has assumed an apparently successful & fulfilling "identity"
that in reality is 100% trapped in the illuminati maze, as he is indeed
LIVING A LIFE SCRIPT THAT HAS BEEN WRITTEN BY OTHERS.
He has no idea whatsoever of truly who he is beyond this apparently
"fabulous" & convincing prefabricated script, and as soon as a major
"GLITCH" surfaces (the fact that his drop-dead gorgeous loving wife
is self confessedly a loopy wreck of a compulsive Monarch type on the
verge of going haywire at any minute, and that he is not as sexually
desired as he thought), he instantly begins to "manifest" all of the
dream-staged projections of his inner insecurities. Life suddenly
becomes "unstable" inside, thus outwardly he also experiences the
"MIRROR" reflection of this shattering, and the underbelly hidden
construct of it all is exposed as it really is, so the new frequencies
lead him by Serendipity & Negative Synchronicity to the mouth
of the beast, the dark Nobility satanic illuminati circles comprising
the structure of his "reality". Now he sees what he was completely
unable to perceive before, dramatically so. Rude awakening...! The
terrible fact that his wife is a "generic" Always-The-Same-Woman
type, is a reflection of his own persona, partly up to this point alike.
They had not been having any intimacy in a true real sense because
these were NOT their real selves, but mere Actors playing prefab
life-roles in a staged script (mind programmed or mind conditioned).
It takes an extreme view of the delusion, to see one's own delusion
of a self. By analogy, one even when venturing into the "wisdom"
path, can be just as well following a prefabricated staged theater,
acting out an "I" identity, not truly anchored to the real and true
multi-dimensional Higher-Selves. This is why we must realize
who we are really, and why we are here, beyond the appearances;
FEAR works strange traps and ambushes. Cheesy versions of the
higher love abound; I love you/you love me, then why is everything
so messed up...? Because like the android in the film "AI", we might
have been merely following a pre-programmed software "imprint"
of the people we must love, devoid of true freedom. The 1st imprint
of course, to love that delusional false "I"...! This is how Ego works
and takes a stronghold, this how we become an Actor manifesting
staged dramas unto ourselves, looping forever into the same.
Throughout my life I have on occasions been blessed with moments
where I become aware that this 'here/now' identity is not the real
multi-dimensional self; every time is totally different, the simplest
one to share would be when I met Townes Van Zandt, as he looked
and talked to me (then a 21 year old kid) not as "that" kid, but as
who I am NOW, the real self -unmistakably so-. I was bewildered
to realize he was seeing a different much stronger persona in me,
and the 'pressure' to 'rise up' to that higher-self was unavoidable;
all this was not happening in a 3D sense per se, but at an "instant
karma" level, fully psychic & internal for the most part, very fast
and certain. Yes there was physical actual communication, but in
parallel and much faster and "compressed" there were loads of
beyond 3D conversation so to speak; Townes was of course loaded
in other sense -stoned to oblivion, but with incredible clarity- and
he was highly amused that I would be communicating vividly with
him in these parallel simultaneous platforms, at my age and being
totally sober (obviously he took this as a sure sign of an Old-Soul,
so he would address me in those terms, high hyperbole amongst
2 wise friends). Much later in life I would learn that a few select
people also had similar extra-dimensional experience with Townes
(like his last wife Jeanene for ex, the moment she met him she
would actually hear spiritual voices). In this short video we see
Townes -Guy Clark behind him as always as the pupil- as a sage
giving his comic impression on how at some point he was stupid
enough to choose to come here (to help others, and/or mingle
with kin souls) -pure Zen-, on other occasions he would say he
wrote songs in order to save people (from themselves):
www.youtube.com/watch?v=KoRGvTURADY&feature=related
No, there was nothing 3D-Linear-Sequential about Townes, it was
a full dip into the Synchronicity and instant-communication realm,
the physical bodies a mere vehicle, no different than a car. Part of
discovering who we really are and why we are here, is thus a clear
PERCEPTION & AWARENESS of the Multi-Dimensional realms,
beyond this Matrix 3D construct. "Only" when we actually begin
to LIVE the Synchronicity itself, we find ourselves and step out of
the projection dream-state. Take for ex the very link I just offered;
it contains the expression"KORG", and I have always been known
to play the Digital Delay -precisely through a rack style KORG unit
model SDD2000 from the 80's-. As in the Kubrick films, very real
exact CLUES of the multi-dimensional, are "e-v-e-r-y-w-h-e-r-e"
for us to see, that in the android/dream state we fail to perceive.
These small clues are there for a reason; they lead us to our REAL
persona, to our REAL purpose in this Matrix, to our REAL deal;
they constantly remind us to why we are here, and what to do.
The difference being, that the mind programming Matrix staged
reality, also fills the setting with a myriad FALSE CLUES, acting
for all purposes like the real clues, seeking to substitute them, by
mapping out for you a false path at every turn. This is the crucial
difference between "Positive" and "Negative" Synchronicity.
Kubrick makes a concerted effort to show that women in particular
have a propensity to always fall for Negative Synchronicity lies,
taking in and following that deceitful "Yellow Brick Road" that leads
to a reinforcing of the False Identity -explaining why the Monarch
slave syndrome is so often found in females-. They seem to have a
serious Blind-Spot for these false maps, Kubrick seems to say to
us. Thus predator type males abuse them, & later they complain
that men are beasts, yet... this merely reflects those men ... they...
chose... to be around, nothing more (a manifestation of their own
inconsistencies and weaknesses). Then by analogy, Kubrick leads
us to meditate how men in general and anybody seeking to better
be prepared to handle the abuse of the satanic illuminati, are in
this respect no different whenever no true Introspection about
our "identities" follow. The same all the way up to the spiritual
best of people, still valid and applicable altogether; which is what
I am trying to pin here, as to the desire to "get out" of the Matrix.
It will never work, unless we deconstruct "ourselves".
In the film "Paris-Texas" the whole plot revolves around an eerie
notion that who we "are" is MANY PEOPLE, "manifested" as those
who powerfully we love. In other words, there is a staged plane as
our reality here, whereby we appear as separate personas, and we
have to learn how to love each other through conditions that act
as a severe problem to that end. Thus we find who we really are
in a higher-dimensional self, in the experience of love, and all its
alienating impossibilities and dysfunctions. The film goes to great
length to expose this mystery, and towards the end in the famous
porn-booth scene, Travis poetically confronts Jane, and their faces
deliberately are SUPERIMPOSED IN THE MIRROR, to let us become
aware of the conundrum; "Travis" & "Jane" are ONE, manifesting
as separate "I"s. Then Travis can't handle this anymore, and he
must move the chair, turn around, & face the back of the booth as
he begins his climax speech: "I KNEW THESE PEOPLE...". He is
then beginning to tie the Gordian Knot of their "existence" again,
this time with a heck of a lot more spiritual awareness.
Just like Kubrick in "2001 A Space Odyssey" & "Eyes Wide Shut",
Wim Wenders deconstructs our "life" in 3D Space-Time here/now,
as the deeply painful admission that we do not know who we truly
are at all. Kubrick plays with the real life marriage of actors Tom
Cruise & Nicole Kidman -(mirrored in the film plot)-, as Wenders
plays with the mistake of thinking the film would be about Paris in
France in relation to Texas, when we discover it's about an empty
lot in the small town of Paris-Texas. Moral of the story...? How in
the world is anyone thinking about "resolving" karmic issues or life
heavy trauma dramas -or worse, actually exiting the Matrix itself-,
without first acknowledging that they do not know who they are &
what life really is...? The deeper core of our being resonates to a
set of Love-Vibes, where the experience of love of "people" in our
lives is a fractal of a much more real Love of Truth & Love itself.
We cannot "just" think that "love" is "only" these "people" that
we think we are. This the ultimate delusion; if we only "love" our
self, without going down the rabbit-hole of existence and decoding
what this is all about and how it is NOT at all what it "seems to be",
then there is no Love at all, because you can't handle Truth and
Love of Love in itself -which is Infinite Consciousness-. You cannot
have "Limited Love", overriding Infinite Love; you may spend 7
thousand lifes saying "I love you, I love you, I love you.." and not a
single time actually knowing True-Love at all, refusing to go into
Infinite Consciousness and Truth.
Only when Infinite Consciousness MERGES with the Love-Vibe, is
when we get to reveal who we are behind the 3D MASK of this "I"
we role play down here/now. When that merging takes place, all of
a sudden "love" becomes a much much bigger and expansive act,
it incorporates a Quest for Truth, a desire to Transcend, the vision
beyond the veil of 3D Matrix staged reality enters perception, et al.
Instantly, Positive Synchronicity takes the lead, and the HEROIC in
us manifests, along with the POETIC. It's at this level that we begin
to exit the Matrix, even though still here for a while ("we're on our
home, we're coming home"). No Yoga exercizes neither Kundalini
shielding can accomplish these things, these are not "techniques"
but EPIPHANIES of a very unique & personal nature to each's own
road less traveled path, according to one's own cosmic destiny and
missions, each different, all intertwined but distinct, no general
fomulas applicable. To zap-out the Matrix involves this in terms
of vivid reckoning, the beauty of magic wisdom, the detachment
from one's "bad deal" 3D-life as Townes ironizes; no meditative
techniques without these experiential epiphanies can perform the
task. There are no courses for this, you are your own guru.
Yes, the "opening up" of the Love frequencies nesting in an fractal
of Infinite Embedding must manifest, but this must be paired with
a clear Epiphany of the Intent of your being here/now, to work.
It is "Spiritual-Multitasking", by the hand of talismanic actions on
your part -instead of the linear strictly pragmatic utilitary actions-,
propelled by the new acquired capabilities of psychic knowing and
psionic manifesting.
individuals "how to get out" of the Matrix. As if you could just get
out... without first knowing why you are here in the first place.
I never performed live music simply to gain something or to feed
the Ego; both seemed to me very empty ways of killing the power
of magic. I always played to attain/achieve the "wave", to tune in
or into the infinite Consciousness of Love; likewise I don't charge
for this blog.
See, there are no fixed answers fit to all, because the real deal is
there are no fixed questions to all. Everybody has his own road
less traveled to tread, according to the reasons why we're here, in
specific to each. Pondering abstractly on the "Meaning of Life" has
to be a delusional exercise, when devoid of PERSONAL blueprints;
this is why I always loved music, it is "so" overwhelmingly personal,
yet precisely because of that, at the same time so universal.
The real road -the real questions & answers- are within YOU. But
the "I" is not who & how we "think" we "are", that is the trick; it is
getting to understand the "I", how we find the hidden clues as to
why we are here, in a personal sense. This is the era of the end of
gurus, and I never sought to be one; this is why music became so
important and popular, live music specially, the sharing of the wave.
Thinking there is a set of keys to get out, is like thinking there is a
Saviour that will do the getting out for me, when it is YOU who has
to do the job. In the next video, these 3 (including the cameraman)
went about Helping Others instead of just getting out; Maxwell
cites a Tibet lama, "Bad news is we don't have the key to heaven,
good news is there was never any lock to begin with". Underlining
this is the notion that Service-To-Self is a delusion based on shallow
perceptions of the "Self" (as separate), while Service-To-Others is
a more mature and apt posture, better attuned to the real.
www.youtube.com/?v=gRTS-Zsd6ZM
As the song went "Love is the opening door, love is the key we must
turn, freedom the lesson we must learn, do you know what I mean".
Freedom here means, freedom from the false delusion of who we
"think" we "are", the "Self" box. This is the real 1st step in the oh-so
unfathomable getting out of the matrix trip; the matrix starts with
the "I" box, and you are the most immediate prison warder of your
own self. That is why I always sang; to release my true self from this
false "I", the first and most intimate prison of all. Dan Winter was
right in pointing out that there are INFINITY WAVE embeddings
that flash-construct a nest that "opens up" the material box of a
shell cage, and that these are found in the frequencies of Love, but
where/how this love resides/works, is another matter altogether.
Infinity Waves only resonate to the Love vibe, and love will only
resonate to the TRUTH vibe, and you cannot "open up" the cage
unless you cease & desist from trying so much to be yourself as you
"think" you "are". And part of this wrong thinking is assuming
that all you've heard about the chakras and the maps of the soul
is actually as it is, as told to "you".
How is that, you may ask...? Well, the point being, that when we
just assume we already "know" who we "are", then the matrix
will magnetize/attract those experiences and the "knowledge"
implicit to that "I" at work; in other words, you will indeed get
the perfect Ear-Candy that will massage that delusion, albeit in
the most elaborate manners. You will get highly systematized
and intricate methods, loaded with philosophical support frames,
laden with history and so forth. This is why I never trusted either
philosophy or religion. It's not that they are necessarily "devious"
(which sometimes they might be) things, but they are very dull,
behind all that paraphernalia, there is one dull delusion, because
they are manufactured around the false identity of the "I".
You have to from the getgo stop trusting "history" so much; this
involves your own personal history as well... It all goes straight
into the "I" box prison delusion; history exists yes, but it's built
just as the Matrix is built, riddled with "staged-reality". It's wiser
then to begin by considering now the possibility that you yourself
as you have come to "think" you "exist" with an identity, are but
nothing more than... an ACTOR... -playing a staged drama for...
yourself...!?-.
In the previous May 31 post "KUBRICK Tutorial 1", some crucial
notions to this theater-construct are presented; Bill Hartford (Tom
Cruise) is in a dream-reality going through the motions of his own
unresolved insecurities, attuning to the manifestations of all this
internal chaotic hubris. It's not that the events do not occur as they
do in normal life -cause they do, and the film is about actual normal
life events-, yet Bill Hartord is a 'Stepford' only slightly better than
the programmed Monarch slave types that are shown, in the sense
he is yet unable to see that who he "thinks" he is (the doctor, the
husband/father, the good social class new yorker), is precisely the
reason things are taking a shocking twist as they do, because he is
"manifesting" the delusional staged-dream, getting caught in the
maze of his very own self as a trap/cage. Totally unable to perceive
anything beyond his utter blindness to the Matrix and the nature of
the social circles he so much admires and seeks to be a apart of (the
satanic illuminati disguised as the well-to-do with all the glitter and
Ego rewards -and the big bait sex, of course-), the Hartford/Stepford
character has assumed an apparently successful & fulfilling "identity"
that in reality is 100% trapped in the illuminati maze, as he is indeed
LIVING A LIFE SCRIPT THAT HAS BEEN WRITTEN BY OTHERS.
He has no idea whatsoever of truly who he is beyond this apparently
"fabulous" & convincing prefabricated script, and as soon as a major
"GLITCH" surfaces (the fact that his drop-dead gorgeous loving wife
is self confessedly a loopy wreck of a compulsive Monarch type on the
verge of going haywire at any minute, and that he is not as sexually
desired as he thought), he instantly begins to "manifest" all of the
dream-staged projections of his inner insecurities. Life suddenly
becomes "unstable" inside, thus outwardly he also experiences the
"MIRROR" reflection of this shattering, and the underbelly hidden
construct of it all is exposed as it really is, so the new frequencies
lead him by Serendipity & Negative Synchronicity to the mouth
of the beast, the dark Nobility satanic illuminati circles comprising
the structure of his "reality". Now he sees what he was completely
unable to perceive before, dramatically so. Rude awakening...! The
terrible fact that his wife is a "generic" Always-The-Same-Woman
type, is a reflection of his own persona, partly up to this point alike.
They had not been having any intimacy in a true real sense because
these were NOT their real selves, but mere Actors playing prefab
life-roles in a staged script (mind programmed or mind conditioned).
It takes an extreme view of the delusion, to see one's own delusion
of a self. By analogy, one even when venturing into the "wisdom"
path, can be just as well following a prefabricated staged theater,
acting out an "I" identity, not truly anchored to the real and true
multi-dimensional Higher-Selves. This is why we must realize
who we are really, and why we are here, beyond the appearances;
FEAR works strange traps and ambushes. Cheesy versions of the
higher love abound; I love you/you love me, then why is everything
so messed up...? Because like the android in the film "AI", we might
have been merely following a pre-programmed software "imprint"
of the people we must love, devoid of true freedom. The 1st imprint
of course, to love that delusional false "I"...! This is how Ego works
and takes a stronghold, this how we become an Actor manifesting
staged dramas unto ourselves, looping forever into the same.
Throughout my life I have on occasions been blessed with moments
where I become aware that this 'here/now' identity is not the real
multi-dimensional self; every time is totally different, the simplest
one to share would be when I met Townes Van Zandt, as he looked
and talked to me (then a 21 year old kid) not as "that" kid, but as
who I am NOW, the real self -unmistakably so-. I was bewildered
to realize he was seeing a different much stronger persona in me,
and the 'pressure' to 'rise up' to that higher-self was unavoidable;
all this was not happening in a 3D sense per se, but at an "instant
karma" level, fully psychic & internal for the most part, very fast
and certain. Yes there was physical actual communication, but in
parallel and much faster and "compressed" there were loads of
beyond 3D conversation so to speak; Townes was of course loaded
in other sense -stoned to oblivion, but with incredible clarity- and
he was highly amused that I would be communicating vividly with
him in these parallel simultaneous platforms, at my age and being
totally sober (obviously he took this as a sure sign of an Old-Soul,
so he would address me in those terms, high hyperbole amongst
2 wise friends). Much later in life I would learn that a few select
people also had similar extra-dimensional experience with Townes
(like his last wife Jeanene for ex, the moment she met him she
would actually hear spiritual voices). In this short video we see
Townes -Guy Clark behind him as always as the pupil- as a sage
giving his comic impression on how at some point he was stupid
enough to choose to come here (to help others, and/or mingle
with kin souls) -pure Zen-, on other occasions he would say he
wrote songs in order to save people (from themselves):
www.youtube.com/watch?v=KoRGvTURADY&feature=related
No, there was nothing 3D-Linear-Sequential about Townes, it was
a full dip into the Synchronicity and instant-communication realm,
the physical bodies a mere vehicle, no different than a car. Part of
discovering who we really are and why we are here, is thus a clear
PERCEPTION & AWARENESS of the Multi-Dimensional realms,
beyond this Matrix 3D construct. "Only" when we actually begin
to LIVE the Synchronicity itself, we find ourselves and step out of
the projection dream-state. Take for ex the very link I just offered;
it contains the expression"KORG", and I have always been known
to play the Digital Delay -precisely through a rack style KORG unit
model SDD2000 from the 80's-. As in the Kubrick films, very real
exact CLUES of the multi-dimensional, are "e-v-e-r-y-w-h-e-r-e"
for us to see, that in the android/dream state we fail to perceive.
These small clues are there for a reason; they lead us to our REAL
persona, to our REAL purpose in this Matrix, to our REAL deal;
they constantly remind us to why we are here, and what to do.
The difference being, that the mind programming Matrix staged
reality, also fills the setting with a myriad FALSE CLUES, acting
for all purposes like the real clues, seeking to substitute them, by
mapping out for you a false path at every turn. This is the crucial
difference between "Positive" and "Negative" Synchronicity.
Kubrick makes a concerted effort to show that women in particular
have a propensity to always fall for Negative Synchronicity lies,
taking in and following that deceitful "Yellow Brick Road" that leads
to a reinforcing of the False Identity -explaining why the Monarch
slave syndrome is so often found in females-. They seem to have a
serious Blind-Spot for these false maps, Kubrick seems to say to
us. Thus predator type males abuse them, & later they complain
that men are beasts, yet... this merely reflects those men ... they...
chose... to be around, nothing more (a manifestation of their own
inconsistencies and weaknesses). Then by analogy, Kubrick leads
us to meditate how men in general and anybody seeking to better
be prepared to handle the abuse of the satanic illuminati, are in
this respect no different whenever no true Introspection about
our "identities" follow. The same all the way up to the spiritual
best of people, still valid and applicable altogether; which is what
I am trying to pin here, as to the desire to "get out" of the Matrix.
It will never work, unless we deconstruct "ourselves".
In the film "Paris-Texas" the whole plot revolves around an eerie
notion that who we "are" is MANY PEOPLE, "manifested" as those
who powerfully we love. In other words, there is a staged plane as
our reality here, whereby we appear as separate personas, and we
have to learn how to love each other through conditions that act
as a severe problem to that end. Thus we find who we really are
in a higher-dimensional self, in the experience of love, and all its
alienating impossibilities and dysfunctions. The film goes to great
length to expose this mystery, and towards the end in the famous
porn-booth scene, Travis poetically confronts Jane, and their faces
deliberately are SUPERIMPOSED IN THE MIRROR, to let us become
aware of the conundrum; "Travis" & "Jane" are ONE, manifesting
as separate "I"s. Then Travis can't handle this anymore, and he
must move the chair, turn around, & face the back of the booth as
he begins his climax speech: "I KNEW THESE PEOPLE...". He is
then beginning to tie the Gordian Knot of their "existence" again,
this time with a heck of a lot more spiritual awareness.
Just like Kubrick in "2001 A Space Odyssey" & "Eyes Wide Shut",
Wim Wenders deconstructs our "life" in 3D Space-Time here/now,
as the deeply painful admission that we do not know who we truly
are at all. Kubrick plays with the real life marriage of actors Tom
Cruise & Nicole Kidman -(mirrored in the film plot)-, as Wenders
plays with the mistake of thinking the film would be about Paris in
France in relation to Texas, when we discover it's about an empty
lot in the small town of Paris-Texas. Moral of the story...? How in
the world is anyone thinking about "resolving" karmic issues or life
heavy trauma dramas -or worse, actually exiting the Matrix itself-,
without first acknowledging that they do not know who they are &
what life really is...? The deeper core of our being resonates to a
set of Love-Vibes, where the experience of love of "people" in our
lives is a fractal of a much more real Love of Truth & Love itself.
We cannot "just" think that "love" is "only" these "people" that
we think we are. This the ultimate delusion; if we only "love" our
self, without going down the rabbit-hole of existence and decoding
what this is all about and how it is NOT at all what it "seems to be",
then there is no Love at all, because you can't handle Truth and
Love of Love in itself -which is Infinite Consciousness-. You cannot
have "Limited Love", overriding Infinite Love; you may spend 7
thousand lifes saying "I love you, I love you, I love you.." and not a
single time actually knowing True-Love at all, refusing to go into
Infinite Consciousness and Truth.
Only when Infinite Consciousness MERGES with the Love-Vibe, is
when we get to reveal who we are behind the 3D MASK of this "I"
we role play down here/now. When that merging takes place, all of
a sudden "love" becomes a much much bigger and expansive act,
it incorporates a Quest for Truth, a desire to Transcend, the vision
beyond the veil of 3D Matrix staged reality enters perception, et al.
Instantly, Positive Synchronicity takes the lead, and the HEROIC in
us manifests, along with the POETIC. It's at this level that we begin
to exit the Matrix, even though still here for a while ("we're on our
home, we're coming home"). No Yoga exercizes neither Kundalini
shielding can accomplish these things, these are not "techniques"
but EPIPHANIES of a very unique & personal nature to each's own
road less traveled path, according to one's own cosmic destiny and
missions, each different, all intertwined but distinct, no general
fomulas applicable. To zap-out the Matrix involves this in terms
of vivid reckoning, the beauty of magic wisdom, the detachment
from one's "bad deal" 3D-life as Townes ironizes; no meditative
techniques without these experiential epiphanies can perform the
task. There are no courses for this, you are your own guru.
Yes, the "opening up" of the Love frequencies nesting in an fractal
of Infinite Embedding must manifest, but this must be paired with
a clear Epiphany of the Intent of your being here/now, to work.
It is "Spiritual-Multitasking", by the hand of talismanic actions on
your part -instead of the linear strictly pragmatic utilitary actions-,
propelled by the new acquired capabilities of psychic knowing and
psionic manifesting.
Monday, May 31, 2010
KUBRICK Tutorial 1
http://en.wikipedia.org/wiki/Eyes_Wide_Shut
The ilussion of 3D Linear-Sequential becomes evident whenever
we encounter "Synchronicity". Anybody -(be it a musician, movie
director, philosopher, or what have you)- that crosses the rubicon
so to speak, immediately begins to resonate beyond linear Space &
Time, establishing direct-links with others, up to great detail. For
ex Neil Young in the early 70's wrote a song called "Cowgirl in the
Sand" about an extra-marital one-night-stand with a little more
than just a slut -rather a Monarch Slave type-, leaving him at a loss
of words to try explaining it to his wife; the short lyrics song verses
on puns & imagery related to mind control -the monarch type even
utilizing trauma based commands to produce alter personality shifts
with different names and "gem" icons to hold them in place- along
lines of "Hello Cowgirl in the Sand, is this place at your command,
... old enough now to change your name... Hello Ruby in the Dust,
has your band begun to rust, purple words on a grey background...".
The film "Eyes Wide Shut" directed/cowritten/produced by Stanley
Kubrick (considered by many the greatest director ever), verses in
part on the same monarch-slave types, and the above link shows its
poster in reverse, the main title in grey against all else in purple...
The color purple symbolizes Royalty/Nobility (with the pun of the
vampire lines amongst them, purple urine -same pun utilized by
Prince in his 80's hit song "Purple Rain"-). It is not necessarily that
Kubrick had listened -and understood hidden meanings- of the Neil
Young song, or even in extreme that Neil himself would have totally
understood to a tee what he was writing about (not that he may not
but that it is not a 'must' condition to writing the song). In fact the
most common is that a writer or director understands all the puns/
innuendos/clues/codes/passwords/ UP TO A POINT ONLY, but
many of these are SUBCONSCIOUSLY GRASPED, bypassing the
"erasure filter" of the conscious mind altogether. This is what the
expression I use -'crossing the rubicon'- exactly means, that you
are able to reach another sphere of reality -the Psyche, immersed
in full Synchronicity mode-, tapping into it whether fully conscious
or not all the same.
Once in this Psyche terrain, all concordances manifest, and direct
the conscious creation or research; this is the realm of FRACTAL
HARMONICS, where the linear thread that is spread out in any
space-time dimension, gets wound-back to the original ball, and
there you apprehend the circular proximity of thread-segments
otherwise greatly spread apart once it is unwound (stretched out).
If you saw the film "Eyes Wide Shut" and did not understand it to
a general sense, you are in big trouble; the movie is precisely about
a man/woman likewise, who go through some shocking and surreal
very rude awakening of sorts. Awakenings need no be the rude kind,
when they are thus, it is only due to the persistent stubbornness &
disdain to the zillion clues prevalent in normal life that most ignore,
until it becomes a dam of contained awareness ready to overflow.
Awakening can be beautiful and painless; in fact Art is exactly this
kind of awakening. Stanley Kubrick saw that films could serve as
a powerful tool for awakening, and are ideally suited to convey the
content of higher realities, without the constant interdiction of the
linear-logic constraints. Kubrick's films incorporate these notions:
(1). The notion that "dream" and "reality" are often the same.
(2). Oral/written language carries Codes of a different reading.
(3). Real life theme icons intermingle with the plot of the movies.
(4). All his films acts as "one" field, referring to one another.
(5). Everything is a Fractal of something else (holographic principle).
(6). External reality is manipulated by secret cabals.
(7). How a human is different from a robot/computer is a fine-line.
(8). What you think you know about life, is a complete delusion.
(9). You don't know who you are, at all.
(10). Every single one object in a film, must be deliberate and not
simply "visual/audio white noise" at random -like every note in
a musical piece cannot be thrown in without proper intent-.
We see how a few of these notions were utilized very well by Wim
Wenders in his seminal film "Paris-Texas", to great effect in terms
of emotional impact and consciousness awakening. Both this film
and Kubrick's "Eyes Wide Shut" although very different, share the
same super-slow treatment, allowing the viewer to sink-in without
a barrage of distractions. You are then quietly instructed to in great
detail O-B-S-E-R-V-E and take notice; precise clues/keys are laid
out for you to heed everywhere, in this way recreating the same
situation as in your real life, where you don't see/don't hear a thing,
even though the most important clues are right in front of you. In
fact you are compelled then to see the film many times over, as in
every new viewing you will discover clues your conscious mind in
all purpose "filtered out" of your perception. Films of this sort
become tutorials to your own pervasive terminal blindness, in the
sense of dangerously lacking awareness & introspection.
"Eyes Wide Shut" was released on Sept 10-1999 in the UK, where
Kubrick had resided for decades. All linear-logic would suggest that
if Nicole Kidman plays a vague monarch-slave type, then Kubrick
must have chosen her for her role in the film "Stepford Wives"; as
a matter of fact, Tom Cruise who also plays her husband (Kubrick
deliberately creating the mirroring of film & real life) later married
Katie Holmes who has been sarcastically called a 'stepford' to him,
and in the film Cruise & Kidman are "Doc & Mrs HARTFORD", an
in-your-face pun of 'Stepford". But of course... the film "Stepford
Wives" was released... after... in 2004...!? A perfect example of my
point, that once in the Synchronicity field, linear space/time lose all
sequence. Yet that does not mean the ties are not real.
Kubrick had been working since the 70's in his film "AI", unable to
produce it because he wanted a digital-created image of the android
as the main character who is programmed to "imprint" the owner's
persona, irreversibly learning to love them as father/mother; in '95
he gave it to Steven Spielberg who directed/cowrote it releasing the
film in 2001 (his best ever), who managed to preserve intact many
of Kubrick's original exact details. The film then questions to great
depth the distinction between human & android, more specifically
the 'cheesy' version of a programmed by software love in the form
of an embedded mental 'imprinting'; not that it's a bad thing at all,
but in the sense that this is not SENTIENT LOVE per se. A teddy
bear figures prominently as an iconic image of the former (Elvis
where art thou...?); it's self-evident that a dangerously high portion
of females show this kind of 'imprint' love towards men who act as
their 'protector/provider' -teddy bear and all-.
Even as early as Francis of Assisi, we already find strong cautionary
teachings in this regard; this man taught a life of total poverty in all
deliberate purpose to destroy the male-icon 'imprint' (love me now
that I am totally destitute, huh...?), furthermore teaching that it is
the Love of Truth in itself that is above all else, and that Love itself
needs to be loved as well. Translated: don't "love" my uniform, or
my house, or my horses/cars, or my money/penis, but love "me".
The only way you'll be able to do this -said Francis-, is if you first
learn to love Truth and Love in themselves; the trick being, that
if you think you already know the Truth, you're lying to yourself.
When Francis was throwing a high-class life away, this a symbol of
also throwing out what you "think" that you "know". If you insist
that you"already" know, you simply can't love at all, because Truth
is a highly convoluted DISCOVERY process, a full Awakening feat,
a voyage into the truly unkown in yourself and in reality. Thus the
unavoidable conclusion is, that mere 'imprint' iconic-role "love" is
actually a Robot-Software feature, while TRUE LOVE (based on an
experience of real Change & Challenge, rise-up, elevate, ascend,
expand consciousness, become aware, introspect, be fully sentient)
is the only Infinite Love spiritual free paradigm, found in discovery,
found in getting to know yourself for the 1st ime in depth, and also
getting to know the hidden nature of 'reality' around you. This Love
is never afraid of the Truth or accidents like poverty, it's meaningful
and not just a going-through-the-motions, business as usual.
In most Kubrick films, females appear as either totally oblivious
and subservient "maid" types (like drone people), or as Monarch
slave types; in "The Shining" the wife is utterly clueless until it is
way too late and she and the child are in grave danger -even as
the child had given more than plenty of warnings-. In "2001 a
Space Odyssey" hardly a female appears, and both the father &
mother of the main character are portrayed as 'Stepford' types,
cookie-cutter laughable types. "Eyes Wide Shut" then enlarges
the role of Nicole Kidman to almost equally important as that of
Tom Cruise, even though she shows less "Sentiency" (the entire
plot is also a dream-projection on the part of Cruise, expliciting
his inner turmoils, while Kidman only is able to either fantasize
or dream an altered version of the Somerton castle proceedings,
implying less psionic/sentient capacity). Of course a feminist
might interpret all this to mean a misogynist nature on the part
of Kubrick; yet perhaps he is onto something, in the sense MOST
women still show that lack of introspection/sentiency -evidencing
only the turmoil, but not the ability to live/project it-. Kubrick
married 3 times, the last wife lasted a long time until his death
only 4 days after a private premiere of the film in 1999; we might
surmise that his previous 2 wives were of this lower "sentiency"
quality to him,as the 3rd and last was a painter, and Kubrick used
her many paintings in most of his films, extensively so, in every
wall. This is quite obviously, a statement of her worth; back then,
to find artistic or intellectual females was not an easy task, so this
must by suggested as the reason for his view on women as lacking
in introspection/sentiency (sentiency as the ability to be totally &
fully aware of things inner/outer, via "Critical Introspection").
In "Eyes Wide Shut", the plot revolves around Kidman's blunt oh-
so clumsy (while being stoned) confession to Cruise of her fantasy
about a Naval officer she met, the lust for whom she would have
"instantly" left him and the kids, no matter the consequences. Of
course the absolute insanity of such creates a huge rift in Cruise's
ego, and this detonates his prowling around, sexually trying to at
least feel desired potently again, which by serendipity leads him
to the real underbelly of the very high-class (i.e. world Nobility)
in all its nightmarish satanic overtones. What Kubrick implies is
that her insanity destabilizes a Cruise (Doctor Bill Hartford) that
is already an accident waiting to happen beyond the thinly crafted
external appearance of "solid persona" in a role of doctor/husband.
In Kubrick's films everything really crucial is always in the details
-God or the Devil always in the details-; the crucial clue here, the
UNIFORM of the Naval officer. No "real" lust or love, but ROBOT
pre-programmed Monarch type attraction to roles/uniforms, as
if she is 'playing-doctor' or 'playing naval academy' with life, still
as an adult; all in all, just trojan Pavlov pathological reactions she
can't even control (to the insane point of throwing her entire family
away just to be 1 single night with that Naval officer... and... then
tells this to her husband.. to the horror of his...). Yet from the very
beginning of the film, this is what Kubrick was weaving about her,
as she undresses letting her dress fall down with no underwear,
exactly the same way the Monarch slave models in the Somerton
satanic ritual orgy do, both still in high heel shoes while naked.
Kubrick is unmistakably telling us: this woman (Mrs. Hartford)
even if she is not a Monarch slave, behaves e-x-a-c-t-l-y up to the
smallest minutia like them...!? In other words, that "borderline"
Monarch syndrome, is pretty much no different in the end to the
real Monarch slaves. This is why at the end of the film she has a
dream of being at the castle ritual orgy somehow, to mean in her
psyche she is PART OF A HIVE-MIND, directing her "desires".
At the very end of the film, she tells Cruise "We must f*ck as soon
as possible", this meaning they WILL FOR THE FIRST TIME HAVE
AUTHENTIC INTIMACY BEYOND THE MIND-PROGRAMMES; meaning
she will now get to have sex with the real guy inside, not just the
"uniform of the doctor" icon/gem figure of mind control she had
"loved" falsely in the past, by sheer obsession/compulsion. Now
this -call it what you may-, but this is the 'Real Deal' in respect
to dissecting male/female relationships and the archetypal
mindset of the attraction.
If you no not pay attention to the tiny details & are unaware of the
psychic programming techniques involved, you'll be left wondering
what the hell is the film about, and stunned by an incomprehensible
end. Cruise on the other hand goes to a patient's apt that had just
died, to comfort his daughter who is about to get married, as she
confesses her "love" for him asking him to run away with her, right
before her fiance arrives...!? All this on sight of the dead body of
her father still in the bed... Kubrick is again telling us, that these
women are utterly insane, victims of psychic trojans. Crucially
now, we must observe that she and her fiance, are REPLICAS of
Kidman & Cruise; in fact Cruise accepts an offer of a hooker named
Domino to get laid; a Kidman's cellphone call interrupts the outcome
and the next day Cruise goes there again this time her roommate
is there, they kiss, but she backs off telling him that today Domino
came HIV positive...!? The point here, that all these women are
also EXACT REPLICAS of Kidman; moreover, when Cruise goes to
a costume shop to get a mask & robe for the castle party, we see a
teen underage depraved girl (Leelee Sobieski) in a 3-some with 2
japanese guys that are dressed as females (wigs, lipstick & all)...!?
This time again, she is also an EXACT REPLICA of Kidman (same
white underwear), implying in all cases that most "women" are a
FRACTAL PROGRAM in the form of a 'Stepford' manifestation, its
worst expression the Monarch slaves models at the castle ritual
satanic orgy. Kubrick is never stating "all" women are such, yet he
is clearly stating "most" (or a sizable portion of) women have this
REPLICA fractal Hive-Mind syndrome.
In this respect, we find that Kubrick agreed with science-fiction
seminal writer Philip K. Dick about females having this propensity
to being The-Same-Woman (to P.K.D. also bent in destroying the
male at the least expected moment); naturally the android theme
of "A.I" must have made reading P.K.D.an indispensable resource
for Kubrick (but Kubrick is clear in his 'just-most/not-all' stance,
as well as his expose of the male hypnotism domination scheme).
http://www.collativelearning.com/EYES%20WIDE%20SHUT%20analysis.html#introduction
This is an excellent analysis of the film, albeit strictly from what may
be best-termed psychoanalytic perspective, NOT including any ref
to mind control, or the nobility satanic illuminati elites, or the veiled
expose of some in the church, etc. It may be coupled with the Videos
(Part 1/Part 2/Part 3) of all the relevant film scenes discussed {the
video opening scene Nicole Kidman in underwear walking backwards
and parallel to Leelee Sobieski in identical pose, is unrivaled towards
illustrating The-Same-Woman paradigm of the Hive-Mind female
collective Kubrick exposes as fractal/holographic syndrome, then
the passed-out naked model in the bathroom with similar naked
woman in wall painting behind, ex. of the same}:
www.youtube.com/watch?v=-VtpTZlmPvc&NR=1
In the dramatic "Red Cloak" high-priest scene at the castle, notice
on top of the chair/throne a DOME and a CROSS, Kubrick's way of
saying that this is a "Pope" type of figure (dome of St Peter's or
the like, St Paul's Cathedral in London, or what have you), and not
simply a secret cult leader. He implies here that the satanic rituals
are not a mere pastime of the super-rich and the nobility, but also
the very foundation of both SPIRITUAL as well as MONETARY
business in the world. When Cruise goes to see his old schoolmate
playing at the "Sonata Cafe", this means "Son"/"Satan". This
jazz cafe sits right across the "Rainbow Fashions" costume shop,
but a BLIND TO CLUES Cruise can't spot that, he takes a taxi,
and the taxi goes in circles landing him across the street...!? This
means also that the "Entertainment" industry acts as a "Foyer"
or antechamber to the satanic illuminati underbelly of the world;
you have a few drinks, lose your coordinates, you're history.
At another level -coupled with deliberate "object setting errors"
a the beginning of the film (pointed by the link article)-, implied
is the fact that we are actually WITHIN A DREAM-MATRIX SET,
where not all objects "match" the next scene or shot, that there
are mismatches or "object anomalies" and that we must be smart
to observe them...!? Kubrick with this implies not that the film is
a dream-matrix, but that our entire reality is such; this is why he
so blatantly toys with the inter-mingling of the real marriage of
Tom Cruise to Nicole Kidman (then a real couple) and the film's
marriage of "Doctor & Mrs. Hartford) that they portray. Meaning
the film is a MIRROR of real life, what happens "in" the film, is
actually what happens to YOU in the "real" world -unaware of-.
This "Mirroring" is evident in the purple poster of the film (a
mirror containing the faces of Cruise/Kidman), as well as the
many mirrors we see throughout the film; mirrors are also a key
feature of mind control, signifying "Alter" mirror-personalities.
All this is quite ostensible in the film, once you realize what it is
all about so clearly.
The MATRIX fake-staged "reality" is phenomenally enhanced by
Kubrick through a super simple formula; "BLUE" is the External
"Moon-Beam" projection of the Matrix (i.e. "Bluebeam" project,
holographic reality), while "RED" is the Interior world. This is why
unreal Blue windows are always contrasted with a variety of Red
center objects (floors, pool table, curtains, etc). Actually Kubrick
wanted this overly-emphasized, therefore he had to invent a new
photographic procedure that exaggerates color in films, to this
end for the film! Using Std. English Gematria (a=1, b=2, ..., z=26)
we do know that: [ RED=27=CODE], and {worl-D trad-E cente-R}
last initials yield "RED" in reverse. Definitely there is much more
than meets the eyes with these Blue/Red enhanced colors coding
on the part of Kubrick, he very obviously knew stuff we don't; the
use of repetitive RED color for interiors and specially the castle
central ritual, is certainly Kubrick's way of saying to us: 'look at
the Red' code... 'look at the Red' code...
Besides, the film is placed in New York yet the actual filming was
in... London...!? The "Somerton Castle" actually was a real castle
of the european nobility used for similar ('cept much worse) rituals
shown in the film. This is Kubrick's biggest secret statement of all,
implying THAT NOTHING IS WHAT IT SEEMS, and that all the
external reality settings, are merely FABRICATED MOVIE-LIKE
STAGED BACKGROUNDS. The way Kubrick emulated New York
to perfection, is his way of warning you that "reality" is not what
it seems so convincingly; all entertainment, business, religion,
country club, etc, are "setups" for "another secret reality" from
behind the scenes to which most are oblivious to. A backstage
reality for the few illuminati, with passwords, unrestrained sex,
beyond-the-law power, total domination of the world, et al.
Now we must then have a look at the encoded language of the
names; the password to the castle secret orgy Cruise obtained
was "FIDELIO" -the name of an opera Beethoven wrote about
a wife that saves her husband of certain execution-. However
the name encodes else: "FILI DEI" in latin means "Son of God",
and here the hint is at the Opus Dei that control the Vatican
presently -who some have accused of practicing satanic rituals-.
The Monarch slave that saves Cruise in the castle means that
in the notion of "Redemption" -("I redeem him" says she)-, as
suggested by Kubrick, we have a sick "transaction of sacrificed
souls" by the secret controllers, this epitomized as the ultimate
"sacrifice of the Son of God for us" in the Cross. In other words,
Kubrick is strongly suggesting that this secrtet illuminati cabal
propagandize their age-old rituals through religion, "sanitized".
Irrefutably the biggest giveaway clue is found in the name of the
hooker -"DOMINO"; it is almost literally "DOMINE", as the latin
church liturgy benediction goes "Domine Patri, et Filli, et Spiritus
Sanctis" (-in the name of- the Father, the Son, & the Holy Ghost").
Here as the entire theme of the film is Monarch slave satanic style
control via sex in part, the pun means "DOMINATION", which
we can understand better as "Do-Mi-Nation" (key of C, key of E,
Nation); interestingly the singer BEYONCE that has been accused
of being an illuminati satanic front, shows this "CE" at the end. Of
course "BEYONCE" is an in-your-face cipher for "OBEY"-CE...!,
domination in quite the command form... (Even more spookily,
Cruise in the bed stoned scene, says: "It's not that Black & White",
he wearing black underwear, she wearing white underwear. Was
he hinting at the current black reversal in power?).
This is not a scattered ref, since Cruise goes to the castle party
through the "Password" given to him by his musician friend who
actually plays keyboards at the ritual (i.e. "musical key"). Indeed
Kubrick chose a piece by Jocelyn Pook, which is not satanic at all,
whose romanian lyrics go "And God told his apprentices... I gave
you a command... to pray for the god of mercy, peace, life health,
..." (etc), for that eerie castle ritual scene.
However Kubrick plays the piece IN REVERSE, meaning with this
that a RELIGIOUS text is reverted into satanism; he emphasizes
this reversion by panning the camera circularly counterclockwise;
the same exact counterclockwise movement of the camera seen at
the beginning of the film when Nicole Kidman is approached by the
european older nobleman who tries to hypnotize her using all the
mind programming cues & triggers he can think of (to which she
is falling for, but at the end she 'disengages'...). Females are thus
epitomized in the film as literally "Dominoes", cookie-cutter figures
of ractangular "Monolith" shape -(see "2001 Space Odyssey")-, we
see here: {do-MINO ~~~ MINO-loth}. You make one domino fall,
and the entire set falls along, i.e. "Domino Effect" in females, why?
Because Kubrick suggests most females are part of one Hive-Mind.
The whole film exposes how that similar Domino/Domine trigger,
and ultimately a "Domi-nation" scheme preys upon unaware males
also, intending to enact on males what has worked so evidently well
with the female Monarch slaves, so far (as to the Monolith, it will
be later addresses, that Kubrick intended it to mean the actual
movie screen -exact proportions- in the sense we project "reality").
We can view the "Domino" clue as: {DOMINO ~CD ROM MIND}.
That this is evidently so, is confirmed by the other clue of Domino,
that this hooker had "Tested positive for HIV"; we can view this
as: { HIV ~ HIVE MIND}. Kubrick without a doubt is giving a lot
more than vague metaphors, for all who care to analyze his films;
he knows that every film of his is dissected to the slightest minutia,
owing to his abnormal penchant for obsessive detail. So he simply
used this to encode info that otherwise would be overlooked. Thus
he simultaneously yuxtaposes many references, including the full
Psychic Trojan Virus Neuro-Linguistics aspect of mind control.
This is from the getgo suggested very strongly as a hint (to look
at language codes) in the before mentioned "Hartdford/Stepford"
pun, as well as the name "ALICE" of Kidman in the film; you had
to be living in a cave not to know this name means mind control
(emblematically so, Alice in Wonderland).
The musical piece in Romanian, coupled with the older nobleman
-Hungarian- at the Christmas party (the white almost empty table
symbolizing the church altar) imply VAMPIRISM (Transylvania
is Romania/Hungary area). The film was based in a 1926 novel
called "Traumnovelle" in german (later named "Dream Story" by
austrian writer Arthur Schnitzel; here "TRAUM" pun of TRAUMA
based mind control (Monarch programming). Kubrick without a
doubt, in his later years had grown quite aware of the linguistic
Gematria angle to it all.
The ilussion of 3D Linear-Sequential becomes evident whenever
we encounter "Synchronicity". Anybody -(be it a musician, movie
director, philosopher, or what have you)- that crosses the rubicon
so to speak, immediately begins to resonate beyond linear Space &
Time, establishing direct-links with others, up to great detail. For
ex Neil Young in the early 70's wrote a song called "Cowgirl in the
Sand" about an extra-marital one-night-stand with a little more
than just a slut -rather a Monarch Slave type-, leaving him at a loss
of words to try explaining it to his wife; the short lyrics song verses
on puns & imagery related to mind control -the monarch type even
utilizing trauma based commands to produce alter personality shifts
with different names and "gem" icons to hold them in place- along
lines of "Hello Cowgirl in the Sand, is this place at your command,
... old enough now to change your name... Hello Ruby in the Dust,
has your band begun to rust, purple words on a grey background...".
The film "Eyes Wide Shut" directed/cowritten/produced by Stanley
Kubrick (considered by many the greatest director ever), verses in
part on the same monarch-slave types, and the above link shows its
poster in reverse, the main title in grey against all else in purple...
The color purple symbolizes Royalty/Nobility (with the pun of the
vampire lines amongst them, purple urine -same pun utilized by
Prince in his 80's hit song "Purple Rain"-). It is not necessarily that
Kubrick had listened -and understood hidden meanings- of the Neil
Young song, or even in extreme that Neil himself would have totally
understood to a tee what he was writing about (not that he may not
but that it is not a 'must' condition to writing the song). In fact the
most common is that a writer or director understands all the puns/
innuendos/clues/codes/passwords/ UP TO A POINT ONLY, but
many of these are SUBCONSCIOUSLY GRASPED, bypassing the
"erasure filter" of the conscious mind altogether. This is what the
expression I use -'crossing the rubicon'- exactly means, that you
are able to reach another sphere of reality -the Psyche, immersed
in full Synchronicity mode-, tapping into it whether fully conscious
or not all the same.
Once in this Psyche terrain, all concordances manifest, and direct
the conscious creation or research; this is the realm of FRACTAL
HARMONICS, where the linear thread that is spread out in any
space-time dimension, gets wound-back to the original ball, and
there you apprehend the circular proximity of thread-segments
otherwise greatly spread apart once it is unwound (stretched out).
If you saw the film "Eyes Wide Shut" and did not understand it to
a general sense, you are in big trouble; the movie is precisely about
a man/woman likewise, who go through some shocking and surreal
very rude awakening of sorts. Awakenings need no be the rude kind,
when they are thus, it is only due to the persistent stubbornness &
disdain to the zillion clues prevalent in normal life that most ignore,
until it becomes a dam of contained awareness ready to overflow.
Awakening can be beautiful and painless; in fact Art is exactly this
kind of awakening. Stanley Kubrick saw that films could serve as
a powerful tool for awakening, and are ideally suited to convey the
content of higher realities, without the constant interdiction of the
linear-logic constraints. Kubrick's films incorporate these notions:
(1). The notion that "dream" and "reality" are often the same.
(2). Oral/written language carries Codes of a different reading.
(3). Real life theme icons intermingle with the plot of the movies.
(4). All his films acts as "one" field, referring to one another.
(5). Everything is a Fractal of something else (holographic principle).
(6). External reality is manipulated by secret cabals.
(7). How a human is different from a robot/computer is a fine-line.
(8). What you think you know about life, is a complete delusion.
(9). You don't know who you are, at all.
(10). Every single one object in a film, must be deliberate and not
simply "visual/audio white noise" at random -like every note in
a musical piece cannot be thrown in without proper intent-.
We see how a few of these notions were utilized very well by Wim
Wenders in his seminal film "Paris-Texas", to great effect in terms
of emotional impact and consciousness awakening. Both this film
and Kubrick's "Eyes Wide Shut" although very different, share the
same super-slow treatment, allowing the viewer to sink-in without
a barrage of distractions. You are then quietly instructed to in great
detail O-B-S-E-R-V-E and take notice; precise clues/keys are laid
out for you to heed everywhere, in this way recreating the same
situation as in your real life, where you don't see/don't hear a thing,
even though the most important clues are right in front of you. In
fact you are compelled then to see the film many times over, as in
every new viewing you will discover clues your conscious mind in
all purpose "filtered out" of your perception. Films of this sort
become tutorials to your own pervasive terminal blindness, in the
sense of dangerously lacking awareness & introspection.
"Eyes Wide Shut" was released on Sept 10-1999 in the UK, where
Kubrick had resided for decades. All linear-logic would suggest that
if Nicole Kidman plays a vague monarch-slave type, then Kubrick
must have chosen her for her role in the film "Stepford Wives"; as
a matter of fact, Tom Cruise who also plays her husband (Kubrick
deliberately creating the mirroring of film & real life) later married
Katie Holmes who has been sarcastically called a 'stepford' to him,
and in the film Cruise & Kidman are "Doc & Mrs HARTFORD", an
in-your-face pun of 'Stepford". But of course... the film "Stepford
Wives" was released... after... in 2004...!? A perfect example of my
point, that once in the Synchronicity field, linear space/time lose all
sequence. Yet that does not mean the ties are not real.
Kubrick had been working since the 70's in his film "AI", unable to
produce it because he wanted a digital-created image of the android
as the main character who is programmed to "imprint" the owner's
persona, irreversibly learning to love them as father/mother; in '95
he gave it to Steven Spielberg who directed/cowrote it releasing the
film in 2001 (his best ever), who managed to preserve intact many
of Kubrick's original exact details. The film then questions to great
depth the distinction between human & android, more specifically
the 'cheesy' version of a programmed by software love in the form
of an embedded mental 'imprinting'; not that it's a bad thing at all,
but in the sense that this is not SENTIENT LOVE per se. A teddy
bear figures prominently as an iconic image of the former (Elvis
where art thou...?); it's self-evident that a dangerously high portion
of females show this kind of 'imprint' love towards men who act as
their 'protector/provider' -teddy bear and all-.
Even as early as Francis of Assisi, we already find strong cautionary
teachings in this regard; this man taught a life of total poverty in all
deliberate purpose to destroy the male-icon 'imprint' (love me now
that I am totally destitute, huh...?), furthermore teaching that it is
the Love of Truth in itself that is above all else, and that Love itself
needs to be loved as well. Translated: don't "love" my uniform, or
my house, or my horses/cars, or my money/penis, but love "me".
The only way you'll be able to do this -said Francis-, is if you first
learn to love Truth and Love in themselves; the trick being, that
if you think you already know the Truth, you're lying to yourself.
When Francis was throwing a high-class life away, this a symbol of
also throwing out what you "think" that you "know". If you insist
that you"already" know, you simply can't love at all, because Truth
is a highly convoluted DISCOVERY process, a full Awakening feat,
a voyage into the truly unkown in yourself and in reality. Thus the
unavoidable conclusion is, that mere 'imprint' iconic-role "love" is
actually a Robot-Software feature, while TRUE LOVE (based on an
experience of real Change & Challenge, rise-up, elevate, ascend,
expand consciousness, become aware, introspect, be fully sentient)
is the only Infinite Love spiritual free paradigm, found in discovery,
found in getting to know yourself for the 1st ime in depth, and also
getting to know the hidden nature of 'reality' around you. This Love
is never afraid of the Truth or accidents like poverty, it's meaningful
and not just a going-through-the-motions, business as usual.
In most Kubrick films, females appear as either totally oblivious
and subservient "maid" types (like drone people), or as Monarch
slave types; in "The Shining" the wife is utterly clueless until it is
way too late and she and the child are in grave danger -even as
the child had given more than plenty of warnings-. In "2001 a
Space Odyssey" hardly a female appears, and both the father &
mother of the main character are portrayed as 'Stepford' types,
cookie-cutter laughable types. "Eyes Wide Shut" then enlarges
the role of Nicole Kidman to almost equally important as that of
Tom Cruise, even though she shows less "Sentiency" (the entire
plot is also a dream-projection on the part of Cruise, expliciting
his inner turmoils, while Kidman only is able to either fantasize
or dream an altered version of the Somerton castle proceedings,
implying less psionic/sentient capacity). Of course a feminist
might interpret all this to mean a misogynist nature on the part
of Kubrick; yet perhaps he is onto something, in the sense MOST
women still show that lack of introspection/sentiency -evidencing
only the turmoil, but not the ability to live/project it-. Kubrick
married 3 times, the last wife lasted a long time until his death
only 4 days after a private premiere of the film in 1999; we might
surmise that his previous 2 wives were of this lower "sentiency"
quality to him,as the 3rd and last was a painter, and Kubrick used
her many paintings in most of his films, extensively so, in every
wall. This is quite obviously, a statement of her worth; back then,
to find artistic or intellectual females was not an easy task, so this
must by suggested as the reason for his view on women as lacking
in introspection/sentiency (sentiency as the ability to be totally &
fully aware of things inner/outer, via "Critical Introspection").
In "Eyes Wide Shut", the plot revolves around Kidman's blunt oh-
so clumsy (while being stoned) confession to Cruise of her fantasy
about a Naval officer she met, the lust for whom she would have
"instantly" left him and the kids, no matter the consequences. Of
course the absolute insanity of such creates a huge rift in Cruise's
ego, and this detonates his prowling around, sexually trying to at
least feel desired potently again, which by serendipity leads him
to the real underbelly of the very high-class (i.e. world Nobility)
in all its nightmarish satanic overtones. What Kubrick implies is
that her insanity destabilizes a Cruise (Doctor Bill Hartford) that
is already an accident waiting to happen beyond the thinly crafted
external appearance of "solid persona" in a role of doctor/husband.
In Kubrick's films everything really crucial is always in the details
-God or the Devil always in the details-; the crucial clue here, the
UNIFORM of the Naval officer. No "real" lust or love, but ROBOT
pre-programmed Monarch type attraction to roles/uniforms, as
if she is 'playing-doctor' or 'playing naval academy' with life, still
as an adult; all in all, just trojan Pavlov pathological reactions she
can't even control (to the insane point of throwing her entire family
away just to be 1 single night with that Naval officer... and... then
tells this to her husband.. to the horror of his...). Yet from the very
beginning of the film, this is what Kubrick was weaving about her,
as she undresses letting her dress fall down with no underwear,
exactly the same way the Monarch slave models in the Somerton
satanic ritual orgy do, both still in high heel shoes while naked.
Kubrick is unmistakably telling us: this woman (Mrs. Hartford)
even if she is not a Monarch slave, behaves e-x-a-c-t-l-y up to the
smallest minutia like them...!? In other words, that "borderline"
Monarch syndrome, is pretty much no different in the end to the
real Monarch slaves. This is why at the end of the film she has a
dream of being at the castle ritual orgy somehow, to mean in her
psyche she is PART OF A HIVE-MIND, directing her "desires".
At the very end of the film, she tells Cruise "We must f*ck as soon
as possible", this meaning they WILL FOR THE FIRST TIME HAVE
AUTHENTIC INTIMACY BEYOND THE MIND-PROGRAMMES; meaning
she will now get to have sex with the real guy inside, not just the
"uniform of the doctor" icon/gem figure of mind control she had
"loved" falsely in the past, by sheer obsession/compulsion. Now
this -call it what you may-, but this is the 'Real Deal' in respect
to dissecting male/female relationships and the archetypal
mindset of the attraction.
If you no not pay attention to the tiny details & are unaware of the
psychic programming techniques involved, you'll be left wondering
what the hell is the film about, and stunned by an incomprehensible
end. Cruise on the other hand goes to a patient's apt that had just
died, to comfort his daughter who is about to get married, as she
confesses her "love" for him asking him to run away with her, right
before her fiance arrives...!? All this on sight of the dead body of
her father still in the bed... Kubrick is again telling us, that these
women are utterly insane, victims of psychic trojans. Crucially
now, we must observe that she and her fiance, are REPLICAS of
Kidman & Cruise; in fact Cruise accepts an offer of a hooker named
Domino to get laid; a Kidman's cellphone call interrupts the outcome
and the next day Cruise goes there again this time her roommate
is there, they kiss, but she backs off telling him that today Domino
came HIV positive...!? The point here, that all these women are
also EXACT REPLICAS of Kidman; moreover, when Cruise goes to
a costume shop to get a mask & robe for the castle party, we see a
teen underage depraved girl (Leelee Sobieski) in a 3-some with 2
japanese guys that are dressed as females (wigs, lipstick & all)...!?
This time again, she is also an EXACT REPLICA of Kidman (same
white underwear), implying in all cases that most "women" are a
FRACTAL PROGRAM in the form of a 'Stepford' manifestation, its
worst expression the Monarch slaves models at the castle ritual
satanic orgy. Kubrick is never stating "all" women are such, yet he
is clearly stating "most" (or a sizable portion of) women have this
REPLICA fractal Hive-Mind syndrome.
In this respect, we find that Kubrick agreed with science-fiction
seminal writer Philip K. Dick about females having this propensity
to being The-Same-Woman (to P.K.D. also bent in destroying the
male at the least expected moment); naturally the android theme
of "A.I" must have made reading P.K.D.an indispensable resource
for Kubrick (but Kubrick is clear in his 'just-most/not-all' stance,
as well as his expose of the male hypnotism domination scheme).
http://www.collativelearning.com/EYES%20WIDE%20SHUT%20analysis.html#introduction
This is an excellent analysis of the film, albeit strictly from what may
be best-termed psychoanalytic perspective, NOT including any ref
to mind control, or the nobility satanic illuminati elites, or the veiled
expose of some in the church, etc. It may be coupled with the Videos
(Part 1/Part 2/Part 3) of all the relevant film scenes discussed {the
video opening scene Nicole Kidman in underwear walking backwards
and parallel to Leelee Sobieski in identical pose, is unrivaled towards
illustrating The-Same-Woman paradigm of the Hive-Mind female
collective Kubrick exposes as fractal/holographic syndrome, then
the passed-out naked model in the bathroom with similar naked
woman in wall painting behind, ex. of the same}:
www.youtube.com/watch?v=-VtpTZlmPvc&NR=1
In the dramatic "Red Cloak" high-priest scene at the castle, notice
on top of the chair/throne a DOME and a CROSS, Kubrick's way of
saying that this is a "Pope" type of figure (dome of St Peter's or
the like, St Paul's Cathedral in London, or what have you), and not
simply a secret cult leader. He implies here that the satanic rituals
are not a mere pastime of the super-rich and the nobility, but also
the very foundation of both SPIRITUAL as well as MONETARY
business in the world. When Cruise goes to see his old schoolmate
playing at the "Sonata Cafe", this means "Son"/"Satan". This
jazz cafe sits right across the "Rainbow Fashions" costume shop,
but a BLIND TO CLUES Cruise can't spot that, he takes a taxi,
and the taxi goes in circles landing him across the street...!? This
means also that the "Entertainment" industry acts as a "Foyer"
or antechamber to the satanic illuminati underbelly of the world;
you have a few drinks, lose your coordinates, you're history.
At another level -coupled with deliberate "object setting errors"
a the beginning of the film (pointed by the link article)-, implied
is the fact that we are actually WITHIN A DREAM-MATRIX SET,
where not all objects "match" the next scene or shot, that there
are mismatches or "object anomalies" and that we must be smart
to observe them...!? Kubrick with this implies not that the film is
a dream-matrix, but that our entire reality is such; this is why he
so blatantly toys with the inter-mingling of the real marriage of
Tom Cruise to Nicole Kidman (then a real couple) and the film's
marriage of "Doctor & Mrs. Hartford) that they portray. Meaning
the film is a MIRROR of real life, what happens "in" the film, is
actually what happens to YOU in the "real" world -unaware of-.
This "Mirroring" is evident in the purple poster of the film (a
mirror containing the faces of Cruise/Kidman), as well as the
many mirrors we see throughout the film; mirrors are also a key
feature of mind control, signifying "Alter" mirror-personalities.
All this is quite ostensible in the film, once you realize what it is
all about so clearly.
The MATRIX fake-staged "reality" is phenomenally enhanced by
Kubrick through a super simple formula; "BLUE" is the External
"Moon-Beam" projection of the Matrix (i.e. "Bluebeam" project,
holographic reality), while "RED" is the Interior world. This is why
unreal Blue windows are always contrasted with a variety of Red
center objects (floors, pool table, curtains, etc). Actually Kubrick
wanted this overly-emphasized, therefore he had to invent a new
photographic procedure that exaggerates color in films, to this
end for the film! Using Std. English Gematria (a=1, b=2, ..., z=26)
we do know that: [ RED=27=CODE], and {worl-D trad-E cente-R}
last initials yield "RED" in reverse. Definitely there is much more
than meets the eyes with these Blue/Red enhanced colors coding
on the part of Kubrick, he very obviously knew stuff we don't; the
use of repetitive RED color for interiors and specially the castle
central ritual, is certainly Kubrick's way of saying to us: 'look at
the Red' code... 'look at the Red' code...
Besides, the film is placed in New York yet the actual filming was
in... London...!? The "Somerton Castle" actually was a real castle
of the european nobility used for similar ('cept much worse) rituals
shown in the film. This is Kubrick's biggest secret statement of all,
implying THAT NOTHING IS WHAT IT SEEMS, and that all the
external reality settings, are merely FABRICATED MOVIE-LIKE
STAGED BACKGROUNDS. The way Kubrick emulated New York
to perfection, is his way of warning you that "reality" is not what
it seems so convincingly; all entertainment, business, religion,
country club, etc, are "setups" for "another secret reality" from
behind the scenes to which most are oblivious to. A backstage
reality for the few illuminati, with passwords, unrestrained sex,
beyond-the-law power, total domination of the world, et al.
Now we must then have a look at the encoded language of the
names; the password to the castle secret orgy Cruise obtained
was "FIDELIO" -the name of an opera Beethoven wrote about
a wife that saves her husband of certain execution-. However
the name encodes else: "FILI DEI" in latin means "Son of God",
and here the hint is at the Opus Dei that control the Vatican
presently -who some have accused of practicing satanic rituals-.
The Monarch slave that saves Cruise in the castle means that
in the notion of "Redemption" -("I redeem him" says she)-, as
suggested by Kubrick, we have a sick "transaction of sacrificed
souls" by the secret controllers, this epitomized as the ultimate
"sacrifice of the Son of God for us" in the Cross. In other words,
Kubrick is strongly suggesting that this secrtet illuminati cabal
propagandize their age-old rituals through religion, "sanitized".
Irrefutably the biggest giveaway clue is found in the name of the
hooker -"DOMINO"; it is almost literally "DOMINE", as the latin
church liturgy benediction goes "Domine Patri, et Filli, et Spiritus
Sanctis" (-in the name of- the Father, the Son, & the Holy Ghost").
Here as the entire theme of the film is Monarch slave satanic style
control via sex in part, the pun means "DOMINATION", which
we can understand better as "Do-Mi-Nation" (key of C, key of E,
Nation); interestingly the singer BEYONCE that has been accused
of being an illuminati satanic front, shows this "CE" at the end. Of
course "BEYONCE" is an in-your-face cipher for "OBEY"-CE...!,
domination in quite the command form... (Even more spookily,
Cruise in the bed stoned scene, says: "It's not that Black & White",
he wearing black underwear, she wearing white underwear. Was
he hinting at the current black reversal in power?).
This is not a scattered ref, since Cruise goes to the castle party
through the "Password" given to him by his musician friend who
actually plays keyboards at the ritual (i.e. "musical key"). Indeed
Kubrick chose a piece by Jocelyn Pook, which is not satanic at all,
whose romanian lyrics go "And God told his apprentices... I gave
you a command... to pray for the god of mercy, peace, life health,
..." (etc), for that eerie castle ritual scene.
However Kubrick plays the piece IN REVERSE, meaning with this
that a RELIGIOUS text is reverted into satanism; he emphasizes
this reversion by panning the camera circularly counterclockwise;
the same exact counterclockwise movement of the camera seen at
the beginning of the film when Nicole Kidman is approached by the
european older nobleman who tries to hypnotize her using all the
mind programming cues & triggers he can think of (to which she
is falling for, but at the end she 'disengages'...). Females are thus
epitomized in the film as literally "Dominoes", cookie-cutter figures
of ractangular "Monolith" shape -(see "2001 Space Odyssey")-, we
see here: {do-MINO ~~~ MINO-loth}. You make one domino fall,
and the entire set falls along, i.e. "Domino Effect" in females, why?
Because Kubrick suggests most females are part of one Hive-Mind.
The whole film exposes how that similar Domino/Domine trigger,
and ultimately a "Domi-nation" scheme preys upon unaware males
also, intending to enact on males what has worked so evidently well
with the female Monarch slaves, so far (as to the Monolith, it will
be later addresses, that Kubrick intended it to mean the actual
movie screen -exact proportions- in the sense we project "reality").
We can view the "Domino" clue as: {DOMINO ~CD ROM MIND}.
That this is evidently so, is confirmed by the other clue of Domino,
that this hooker had "Tested positive for HIV"; we can view this
as: { HIV ~ HIVE MIND}. Kubrick without a doubt is giving a lot
more than vague metaphors, for all who care to analyze his films;
he knows that every film of his is dissected to the slightest minutia,
owing to his abnormal penchant for obsessive detail. So he simply
used this to encode info that otherwise would be overlooked. Thus
he simultaneously yuxtaposes many references, including the full
Psychic Trojan Virus Neuro-Linguistics aspect of mind control.
This is from the getgo suggested very strongly as a hint (to look
at language codes) in the before mentioned "Hartdford/Stepford"
pun, as well as the name "ALICE" of Kidman in the film; you had
to be living in a cave not to know this name means mind control
(emblematically so, Alice in Wonderland).
The musical piece in Romanian, coupled with the older nobleman
-Hungarian- at the Christmas party (the white almost empty table
symbolizing the church altar) imply VAMPIRISM (Transylvania
is Romania/Hungary area). The film was based in a 1926 novel
called "Traumnovelle" in german (later named "Dream Story" by
austrian writer Arthur Schnitzel; here "TRAUM" pun of TRAUMA
based mind control (Monarch programming). Kubrick without a
doubt, in his later years had grown quite aware of the linguistic
Gematria angle to it all.
Thursday, May 27, 2010
"OIL SPILL" encodes "BARACK OBAMA"s name & state (incl. Titanic symbolism)
Using plain standard English Gematria, I previously have exposed
how the names Barack Obama & Sarah Palin are 'twinned' by coded
cipher (a=1, b=2, ..., z=26) from Obama's famous campaign slogan
"Change We Can Believe In":
[ "CHANGE WE CAN" = 84 = OBAMA PALIN ]
[ "BELIEVE IN" = 83 = BARACK SARAH ]
In the case of the ongoing BP "Oil Spill" in the Gulf, we see an equally
perfect-match, astonishingly so:
[ "OIL" = 36 = BARACK ] & [ "SPILL" = 68 = BARACK OBAMA ]
Obama's only public life position has been as Senator from Illinois,
an "election" of most dubious nature, as he by signature technicalities
had forced out of the race everybody excluding no-chance very weak
Alan Keyes (outrageously he forced out in this way his own mentor,
the respected black Chicago legend Alice Palmer, this story sanitized
in Wikipedia). When we look at the name of the state, we also see
the "Oil Spill" encoded:
[ "OIL SPILL" ~~~ "ILLINOIS" ]
Besides, any intelligent person would notice that "ill-i-NOIS" contains
the emblematic "SION" at the end in reverse, as well as the beginning
& end of the word "ill-uminat-i". Concomitantly, Obama is ostensibly
playing the prefabricated role of "Lincoln", in the sense that he was
chosen by the Northeastern Establishment elite of the US (mostly
the axis of the NWO, the City of London, the Wall St/Fed Reserve
cabal) to placate the "Rising South" -symbolizing all those states
that in an increasing tide are once again resisting the excess powers
of the tyrannical-growing Fed, who demands everything and gives
almost nothing in return (Katrina & the current Oil Spill, emblems)-.
By replaying "Lincoln", they seek to make once again the "black
cause" and also "illegal immigration" (mexicans) a manufactured
ruse to supposedly "debunk" the legitimate grievances of those
resisting states, who are de-facto enacting a "2nd Independence"
from the global monarchies operating in disguise behind the central
banks and governments. In this case the blacks and mexicans are
utilized as "political fodder" to weaken the non-central states, but
all this is disguised under the attractive "Lincoln" cover, to garner
support. The "black cause" and the "mexican cause" are then the
convenient to the moment of crisis pawns in a chess-game of high
global power. As what happens in the US, ends up being copied
almost everywhere, the "Lincoln" ruse is inseminated subliminally
to legitimize excess of power, painting it with a "social concern"
coat, Obama "the man of the oppressed" and such phony rubbish:
{ ILLINOIS ~~~ "LINCOLN" }
Obama was inaugurated as president on January 20. The day Adolf
Hitler was born is April 20; the BP Oil Spill occurred on April 20...
This is not a 'forced' mental association; if we care to remember, it
was Obama himself who did something highly unusual as 1st time
runner for president (& albeit a mostly unknown figure), when he
delivered a highly mediatized speech IN BERLIN, still a candidate:
www.huffingtonpost.com/2008/07/24/obama-in-berlin-video-of_n_114771.html
The pictures speak for themselves, the fascist/communist overtones
are quite evident -a clear illuminati staged event, high in symbolism-.
The conclusion just by this Berlin event, is that Obama from the get-
go has been an occult symbolic figure, laden with coded ciphers and
such. When we do the numbers Gematria for "Berlin Germany", we
realize the total is 143, which is the essential Gematria number in
the Book of Revelation, supposedly written in Patmos Island - that
this name is a full blown occult cipher is evident in the "PI" initials,
as well as what I have shown in older posts, that this name contains
in full the acronyms that define our information/computer/internet
era-. By anagram (just rearranging the position of the letters):
[ "PATMOS ISLAND" = "DOS" "LAN" "ISP" "ATM" ]
{"DOS" is Driver Operating System (Microsoft's 'Win-Dos') }
{"LAN" is Linear Aggregated Network}
{ "ISP" is Internet Service Provider}
{"ATM" is Automated Transfer Machine}
[ PATMOS ISLAND = 143 = BERLIN GERMANY ]
(Patmos=84) (Germany=83) (Obama Palin=84)
(Island=59) (Berlin=60)
You will observe the latter also contains the initials of George Bush.
As Arthur C. Clarke popularized in the "2001 Space Odyssey" film,
the simplest of all ciphers is to move back or forward 1 space in the
alphabet (thus in the film the computer's name "HAL" was code for
"IBM", moving the letters 1 space forward). However you will also
observe that the 2 last initials in "Barack Hussein Obama" are just
as encoded, moving 1 space back in the alphabet...! (P~~O, I~~H).
Now contemplating the 1st & last initials of "Patmos Berlin" we get
... "BP"...! {British Petroleum}, and the 1st & last initials of "Island
Germany" yield "IG"(i.e. "AIG") -another Obama crucial atrocity,
the Wall St/Bank bailouts, which started with the AIG Corp demise.
On top of this, the quite obvious correspondences -call 'em fractals-
between "B-erl-IN" & "B-arackhusse-IN", as well as "ger-MA-ny"
& "oba-MA", reinforce the encoding. Nothing is an accident in this
3D Matrix, folks.
Concerning the Oil Spill, we have to come to realize that the date
of April 20, is playing upon the former ritual of the british ship the
TITANIC which sank on April 15; do not see the relationship...?
How about... huge ocean disaster... british... how blind art thou...?
Moreover, Leonardo Da Vinci was born on April 15 (see further).
In fact the entire April 15 to April 30 is nothing but the preceding
preparation for the pagan BELTAIN (or Beltane), culminating on
May 1st. Satanism uses both the church & the Beltain type of dates,
the latter type being ideal for "concealing" a ritual from the masses,
who are unaware of dates like these. Observe how both names are
a pun of each:
[ BELTAIN = BA-lt-EIN ~~~ BA-rackhuss-EIN ]
Of course the name "TITANIC" is a pun of "ILLUMINATI", the last
5 letters of which are written in reverse at the center of the former:
[ t-ITANI-c ~~~ illum-INATI ]. 4 letters of which can be found
in: [ "ILLIN-ois" ~~~ "ILL-um-IN-ati" ]. See, -to make fun of it-
you have to see, when you see; almost the entire human race, when
reading language, can't see at all what's right in front of them to see.
They merely read, what they have... learned... to read, nothing else;
they merely see some aspects of language (learned in their memory)
and are utterly blind to other ostensibly visible aspects, these the
aspects the occultists and the illuminati utilize -often for mind control
and hypnosis, or to convey large sets of occultic "theology"-. Either
way these act as powerful subliminals, yet invisible to the "Conscious
Self" mind, the surface layer of the brain computer.
-------------------------------------------------------------------------
Mid-Note:
{In 1983 while in college, I one night preparing lemonade looked for
a glass and a spoon in the kitchen & had a most powerful epiphany
regarding the "Thinking" process; I realized I did not "see this" or
that particular glass and spoon, but strictly a "generic idea" of a
"learned glass & spoon" in my memory. I discovered that in our
lives we are trained to NOT SEE DIRECTLY almost anything at
all, and by-default reduce perception to a basal "I Think" mode,
that merely seeks to match automatically learned-objects/ideas
with what's in front of us. Then later by habit of repetition, these
learned-objects/ideas end up replacing perception and sight;
ultimately, we are in this way zombified or robotized via the "I
Think" process, without even realizing it. The goal of Art is to
without stop never forget how to perceive for the 1st time every
single object or being, in their unique peculiarity, without going
down into this robotic stare. This is in part the same goal of this
Gematria blog, to through the contemplation of language Patterns
be able every single time to see... what's right in front of our eyes,
yet we by reason of such robot-conditioning, are unable to see/
read at all. Some people are so zombified in this sense, that they
react in fits of anger at any Gematria concordance expose, like
protecting their brain-programming from the intrusion of a thief;
others quickly fall asleep, overwhelmed by seeing for the 1st time.
I am of the opinion that the prohibition of "Consciousness" drugs
and the legalization of Dumbing-down drugs like alcohol, follow
this exact epiphany I had; some drugs enable you to see like for
the 1st time, thus raising your perception to the real, while under-
playing the implanted "learned objects/ideas". This is of course
in great detriment to the 3D Matrix stronghold, therefore they're
banned, and inseminated in a purely "illegal recreational" & quite
addictive sense. The suggestion is that you are doing someting
"pathological", thus when people use them, this suggestion over-
rides the normal clean positive expansion of "real" perception,
betraying the lucid aspect of it all. I am also convinced that the
reason the elites sell Ideology & Religion or any system of "fixed
objects", is precisely to train the brain to ONLY "perceive" in this
robotic manner, the training consisting in NOT seeing every time
but only replaying the "learned object/idea"; the training can be
greatly enhanced by hero-worship (the fake hero another fixed
learned object), so in this way you are "exempted" by fanaticism
to actually see or perceive who that person is at all, even when it
is absolutley obvious the hero is no hero, but quite the villain...
Point being, it does not matter this or that fake-hero, what is of
value to these elites, is the training of the brain of the masses in
itself, not whether this leader or that wins or loses, at all. In other
words, external public agendas, merely a means to another very
different end, i.e. brain-training experiments into this robotic mode;
Left or Right or Center or what have you, all irrelevent to this end}.
-----------------------------------------------------------------------
The 4 enormous chimneys of the Titanic symbolize the former "Four
Worlds"; these were reinforced by the Twin Towers, the famous blue
scene of the sinking in the film, tilts the Titanic vertically, becoming
like the WTC towers, people falling from it in both cases. Leonardo
Di Caprio symbolizes the dying system (patriarchy), replaced once
again by the ancient mother-goddess (matriarchy), portrayed by
Kate Winslet (to Win); that is the reason the Queen of England has
been reigning uninterrupted since... 1952...!? (the suggestion being:
all else comes & goes, yet the mother-goddess, the Orion Queen,
will WIN -Windsor- and is here to stay). In older posts I detailed
the concordances between the names "Kate Winslet" & "Monica
Lewinsky", and also how these are supposed to act as fractals for
"(Oprah) Winfrey", in the case of the mirror-reversal from WHITE
TO BLACK. We see this also fractalized in the town's name where
Sarah Palin was Mayor: "Wasilla" (kate winslet/monica lewinsky -
a noticeable 5 letter concordance). The novel by Dan Brown "The
Da Vinci Code" portrays the very old and oh-so totally bogus setup
of Mary Magdalene as carrier of Jesus Christ's offspring -landing in
the Renees Le Chateau area of France, conveniently as foundation
for the "divine blood" of the european royalty, this the secret origin
of the occidental monarchies, this false secret propaganda-. Thus
the name of actor "Leonardo Di" Caprio in the film Titanic, is a pun
of Leonardo Da Vinci, and Kate Winslet symbolizes the Magdalene
-surviving the illuminati black magic sacrifice of humanity around
2012/2016-. What this means is a "new religion & new syncretism",
akin to the one performed by Emperor Constantine in the last days
of the Roman Empire -which ultimately led to official Christianity,
but in secret also to the newer forms of Jewish religion, and muslim
religion-. In the Titanic film Di Caprio plays "Jack" (pun of sacrificed
beloved president Jack Kennedy -representing the old white male
dying out-), while Winslet plays "Rose" (a pun of the secret Order
of the Rose -the Rose Cross or Rose Croix- another name for SION:
[ Rose=57=Sion], the Rose icon of the female Vulva, the Vesica
Pisces, the mother-goddess. If you notice, Obama's wife Michelle
Robinson quite evidently so carries this secret message; Michelle
pun of Magdalene (Magdalene obviously the "Black Madonna" of
the Medieval Ages worshipped even by Pope John Paul II, his way
of saying he was with the SION cabal), and ROBIN-SON actually
carries the "BORN-SION" so visibly it's almost laughable...! This
is why she wore that fatefull "Black Widow Spider" dress on Nov 4
Election Day party (message: the guy dies, the mother-goddess is
here to Win). Of course she knows all this, they just pretend that
thay are "normal" folk and so and so...:
www.diosa.net/circus/?p=9
As Bryan Kemila in my post "Obey the Hyper-Dimensional...part 1"
explains, what is behind all this, is a mass sacrifice to be gradually
implemented at global scale (the first World Wars a preparation
for it), at the moment of the "Cross/Crossing", thus the theology
of sacrifice in the Cross as conditioning for it, in the sense of in this
way a "Manufactured-Consent" is first extracted out of humans, in
order for the ritual to be fully implemented. The Cross/Crossing is
the moment of ASCENSION, whereby a portion of humanity grows
into the higher dimensions, while a larger portion remains anchored
to this illusory 3D semi-virtual "reality"; at this '2012/2016' great
Awakening, HyperDimensional beings have prepared themselves for
a feast in the form of a mass sacrifice, consuming kundalini energies
and even souls of humans caught in a negative debacle. This debacle
is a series of "suggested" doomed scenarios, for all practical purposes
serving as "PSYCHOLOGICAL WARFARE" on the Human Species.
This is what you see every year through several gradual high level
events of negative nature, world wars, crime, 911, collapse of health
in the sense we all live longer but never healthy, massive recessions
and unemployment, breakup of the family, women turned into gold-
diggers utilizing "love" as a business weapon ('gold' means a trophy
-be it fame, money, a hunk, whatever-), instability everywhere,
the rug pulled from under everybody, increase in working hours
and demented cult-style of jobs, devastating stress, competition
jungle-mindset for everything, shallow & lying corrupt politicians,
corporations ruining it all, presidents that are ostensibly sacrificed
to enhance the psychological warfare (kennedy, nixon's fall, clinton's
impeachment). This is a perpetual psychological warfare on humans,
ultimately effected from the hyper-dimensional realm, utilizing the
illuminati and all its front & reverse-mirroring factions (as the case
of the reverse racism, ex Farrakhan, mexican "La Raza" etc).
Freeman {from 'Freeman TV'} has splendidly captured this agenda,
which amazingly is not perceived as such by most people, as utterly
obvious as it indeed is. I recommend you watch his interviews for
a very candid description of all this, which is the most relevant one
can possibly be aware of, in these close to the '2012/2016' days.
For ex we are here exposing the "BP Oil Spill" as one more in this
series of warfare tactics aimed at the human psyche, operating at
the full sight and 'looking-the-other-way' of an Obama pretending
not to know what is going on. Yet when we just look at the name of
BP/British Petroleum itself, we see the 'proximity' of Obama and
BP in Synchronicity terms: just moving back the P to O yields his
initials B.O. (Barack Obama); you may say, but you did not move
back also the "B"... well, it does not matter, because when you also
move it back (B to A), we obtain the 1st & last letters of his last
name: "O"-bam-"A"). Also the last letter of britis"H" is the initial
of his middle name "H"ussein. The last letter petroleu"M" yields
the initial for the name of his wife -"M"ichelle-. If we add either
the full "Company" or "CorporatioN" to "British Petroleum" we
then get the last letter of his middle name hussei-"N", whereas
the short version "Co." for "Company" yields his initial "O"bama
without the need to move up/down a place in the alphabet at all.
I know, it is all 'coincidence', right? Why is it, that everybody is
so perfectly capable of talking in acronyms and such (for ex in
politics UN, GOP, DNC, etc), yet at the same time everybody is
so completely blind to quite visible acronyms like these I show?
It seems to me, people have been robotized into being capable of
great feats of MENTAL GYMNASTICS, yet remain utterly blind
and uncapable of the most basic language & acronym recognition.
This is evidence of a severe brfain malfunction, that can only be
explained along the lines of brain-programming ("blindspots" all
oveer the mental terrain map) and/or the robotization explained
in the Mid-Note.
It is also a 'coincidence' that the world champion of soccer in the
last year was Barcelona FC, otherwise known as "Barca" (usually
considered the world' most powerful winning team lately). You
see, this is a ritual; Barca's -like Obama's logo- wears a dark blue
& red (emphasis in "dark"), and most of its players are "dark", as
opposed to the "white" rival team of Real Madrid, who wears a
-not surprisingly for the ritual- all white attire. Thus you always
see the Real Madrid "losing" against Barca, and the media always
battering the Real Madrid like it's their favorite past-time. This
is a ritual, of many of similar high-profile world media, to suggest
the same; Barcelona sits right across the Pyrenees from Renees
Le Chateu area, where supposedly Mary Magdalene landed. It is
examples like these, that allow one to peer-through the matrix as
it uses language & symbols, sports & politics, religion & disasters,
trends & advertising, to wage covert psychological warfare on the
targets the Matrix deems as suitable for a ritual of sacrifice at a
certain moment & place in 3D Time/Space. The exzternal world of
Media but a convenient carrier for the codes & symbols embedded
in the rituals of sacrifice:
[ BARCA = BARAC ]
"Anyone" -be it me/you, Kemila, Farrakhan, etc etc etc- can see the
in-your-face concordances, yet very few can read the real concealed
meanings behind them (which of course the types of Farrakhan et al
always read wrong, as fully mind controlled as they are). As Kemila
points out, the entire world is l-o-a-d-e-d with constant reinforcing
"suggestion-memes", in such way that the construct of "reality" is
in itself is nothing but a MATRIX, in which the predominant mode
of domination is a disguised subliminal psychological warfare. Overt
war is not an end in itself, but a means to effect a pervasive state
of psychological warfare, from the hyper-dimensional vampires,
unto the 3D humans regarded as "kundalini food" (sacrifice, prey).
Ultimately as philosopher comedian George Carlin realized, in order
for you to survive the constant psychic attack, one has to learn the
art of detaching from this matrix, what he spelled out brilliantly as:
"TRICK IS NOT TO GIVE A SH*T". Yet detachment is one tactic,
as a human cannot cease to intermingle with reality here and now;
the other tactic is to... CONFRONT the Matrix as it is...!, and this is
only accomplished by "decoding" it. This is achieved via Increased
Awareness, thus all that reduces awareness (so makes you a sucker)
is how the Matrix wins over your consciousness, is how the psychic
attack becomes a win-win for the vampires. This blog serves as a
tool for this Increased Awareness, extending enlightenment to those
areas you are completely oblivious of.
-----------------------------------------------------------------
The leader of the "Nation of Islam" cult is Louis Farrakhan, born
Louis Eugene Walcott, heavily involved in Numerology as in the
islamic tradition -but in English-, as his Wikipedia picture states:
"May 11, 1933 (age 77)". Farrakhan seems to make a whole about
any numerological concordance such as the Wiki (11/33/77), often
delving fully into outright delusional numerology rants, which can
be categorized as mediocre numerology at best -(I cringe in horror
every time I get to read some of his numerological writings, we're
talking the worst of the worst, kindergarten level)-. He was the
one who called Obama "The Messiah", pressured to explain why
Obama had to diss him publicly, he used the metaphor of a space
rocket -he or the rev. Jeremiah Wright just being the rockets who
are delinked and fall back to Earth, while "he" the "saviour" Obama
is the one who "ascends"; of course this is occult concealment of
ATLANTIS, Obama as being in his cult the former "Atlantis Rising"
leader -AKHENATEN in Egyptian symbology- (Farrakhan so fully
obsessed with a supposed "black" Egypt, it's almost demented; his
cult a mixture of Muslim & ultra-egyptian black Masonic occultism,
black "Muslim-Mason" in full numerology and occultic symbology).
I call it simply... an "Adolf Hitler wanna-be cult", period; in fact, one
can easily see that Farrakhan has already noticed this, as his name
shares some tale-telling letters with the former:
[ ADOLF HITLER ~~~ LOUIS FARRAKHAN ]
(Alois Hitler the father of Adolf, notice the "Alois"~"Louis" fractal)
Undoubtedly Farrakhan has already caught this and much more, as
his cult is actually a full-blown "Black Supremacy" movement, in the
beginning stages only disguised as justice for the oppressed blacks
during slavery & segregation -acc to them continued to this day?-,
but unmistakably reeking of fanatical RACISM; Farrakhan (and
others in other similar agendas) seems only interested in acquiring
POWER though dubious spirituality, and setting a Black Domination
of Whites and Jews, no different that Hitler -in reverse in the case
of Whites, coinciding in the case of Jews-. I'd suggest you consider
this when looking at Barack Obama's Berlin/Germany speech, with
this subliminal symbology in mind. Unless you are brain-dead, you
will know for a fact that Louis Farrakhan and Jeremiah Wright are
racists in reverse, working for a Total Black Domination (thus a so
obvious pun "nation" -"Nation of Islam" means Domination of Black
Islam in America-). In this context, the iconic "SION" agenda must
be thought of in reverse, as a "Black Sion/Zionism", to hell with all
else; this is why it was a "Messiah" from ILLINOIS (illi-SION). We
all know Oprah Winfrey belongs to the same rev Jeremiah Wright
Trinity Church as Obama, & it was Oprah the other figure who also
referred to Obama as Messiah when live on camera she called him
"THE ONE". Now here is why she called him that, pertaining to the
Farrakhan form of oh-so mediocre numerology; in this crucial case,
we must use the most famous jewish Kabbalah encryption method,
known as the "Atbash Table", only applied to the English alphabet.
It consists of dividing the alphabet in 2, copying one half on top of
the other, observe how "ONE" becomes "BAR"(ack):
A B C D E F G H I J K L M
N O P Q R S T Y V W X Y Z
This is as goofy as it gets; yet this is precisely how a bunch of goons
masquerading as "tolerant" and "spiritual", simply seek to replace the
good-ole-boy network with a good-ole-black network, & to replace
the white-illuminati-masons, with the black-illuminati-masons, and
to replace christianism with a new version of islamism. As if this
form of blatant Mind Control Inversion ("reverse mirroring") and Bi-
Polarity pathology was by any means to be 'better' than the former,
or an 'advancement' from the present status-quo. When in fact they
are but one more Matrix destructive illusion in the menu....
-----------------------------------------------------------------------
After NOTE:
http://hoguenews.com/?p=10062
how the names Barack Obama & Sarah Palin are 'twinned' by coded
cipher (a=1, b=2, ..., z=26) from Obama's famous campaign slogan
"Change We Can Believe In":
[ "CHANGE WE CAN" = 84 = OBAMA PALIN ]
[ "BELIEVE IN" = 83 = BARACK SARAH ]
In the case of the ongoing BP "Oil Spill" in the Gulf, we see an equally
perfect-match, astonishingly so:
[ "OIL" = 36 = BARACK ] & [ "SPILL" = 68 = BARACK OBAMA ]
Obama's only public life position has been as Senator from Illinois,
an "election" of most dubious nature, as he by signature technicalities
had forced out of the race everybody excluding no-chance very weak
Alan Keyes (outrageously he forced out in this way his own mentor,
the respected black Chicago legend Alice Palmer, this story sanitized
in Wikipedia). When we look at the name of the state, we also see
the "Oil Spill" encoded:
[ "OIL SPILL" ~~~ "ILLINOIS" ]
Besides, any intelligent person would notice that "ill-i-NOIS" contains
the emblematic "SION" at the end in reverse, as well as the beginning
& end of the word "ill-uminat-i". Concomitantly, Obama is ostensibly
playing the prefabricated role of "Lincoln", in the sense that he was
chosen by the Northeastern Establishment elite of the US (mostly
the axis of the NWO, the City of London, the Wall St/Fed Reserve
cabal) to placate the "Rising South" -symbolizing all those states
that in an increasing tide are once again resisting the excess powers
of the tyrannical-growing Fed, who demands everything and gives
almost nothing in return (Katrina & the current Oil Spill, emblems)-.
By replaying "Lincoln", they seek to make once again the "black
cause" and also "illegal immigration" (mexicans) a manufactured
ruse to supposedly "debunk" the legitimate grievances of those
resisting states, who are de-facto enacting a "2nd Independence"
from the global monarchies operating in disguise behind the central
banks and governments. In this case the blacks and mexicans are
utilized as "political fodder" to weaken the non-central states, but
all this is disguised under the attractive "Lincoln" cover, to garner
support. The "black cause" and the "mexican cause" are then the
convenient to the moment of crisis pawns in a chess-game of high
global power. As what happens in the US, ends up being copied
almost everywhere, the "Lincoln" ruse is inseminated subliminally
to legitimize excess of power, painting it with a "social concern"
coat, Obama "the man of the oppressed" and such phony rubbish:
{ ILLINOIS ~~~ "LINCOLN" }
Obama was inaugurated as president on January 20. The day Adolf
Hitler was born is April 20; the BP Oil Spill occurred on April 20...
This is not a 'forced' mental association; if we care to remember, it
was Obama himself who did something highly unusual as 1st time
runner for president (& albeit a mostly unknown figure), when he
delivered a highly mediatized speech IN BERLIN, still a candidate:
www.huffingtonpost.com/2008/07/24/obama-in-berlin-video-of_n_114771.html
The pictures speak for themselves, the fascist/communist overtones
are quite evident -a clear illuminati staged event, high in symbolism-.
The conclusion just by this Berlin event, is that Obama from the get-
go has been an occult symbolic figure, laden with coded ciphers and
such. When we do the numbers Gematria for "Berlin Germany", we
realize the total is 143, which is the essential Gematria number in
the Book of Revelation, supposedly written in Patmos Island - that
this name is a full blown occult cipher is evident in the "PI" initials,
as well as what I have shown in older posts, that this name contains
in full the acronyms that define our information/computer/internet
era-. By anagram (just rearranging the position of the letters):
[ "PATMOS ISLAND" = "DOS" "LAN" "ISP" "ATM" ]
{"DOS" is Driver Operating System (Microsoft's 'Win-Dos') }
{"LAN" is Linear Aggregated Network}
{ "ISP" is Internet Service Provider}
{"ATM" is Automated Transfer Machine}
[ PATMOS ISLAND = 143 = BERLIN GERMANY ]
(Patmos=84) (Germany=83) (Obama Palin=84)
(Island=59) (Berlin=60)
You will observe the latter also contains the initials of George Bush.
As Arthur C. Clarke popularized in the "2001 Space Odyssey" film,
the simplest of all ciphers is to move back or forward 1 space in the
alphabet (thus in the film the computer's name "HAL" was code for
"IBM", moving the letters 1 space forward). However you will also
observe that the 2 last initials in "Barack Hussein Obama" are just
as encoded, moving 1 space back in the alphabet...! (P~~O, I~~H).
Now contemplating the 1st & last initials of "Patmos Berlin" we get
... "BP"...! {British Petroleum}, and the 1st & last initials of "Island
Germany" yield "IG"(i.e. "AIG") -another Obama crucial atrocity,
the Wall St/Bank bailouts, which started with the AIG Corp demise.
On top of this, the quite obvious correspondences -call 'em fractals-
between "B-erl-IN" & "B-arackhusse-IN", as well as "ger-MA-ny"
& "oba-MA", reinforce the encoding. Nothing is an accident in this
3D Matrix, folks.
Concerning the Oil Spill, we have to come to realize that the date
of April 20, is playing upon the former ritual of the british ship the
TITANIC which sank on April 15; do not see the relationship...?
How about... huge ocean disaster... british... how blind art thou...?
Moreover, Leonardo Da Vinci was born on April 15 (see further).
In fact the entire April 15 to April 30 is nothing but the preceding
preparation for the pagan BELTAIN (or Beltane), culminating on
May 1st. Satanism uses both the church & the Beltain type of dates,
the latter type being ideal for "concealing" a ritual from the masses,
who are unaware of dates like these. Observe how both names are
a pun of each:
[ BELTAIN = BA-lt-EIN ~~~ BA-rackhuss-EIN ]
Of course the name "TITANIC" is a pun of "ILLUMINATI", the last
5 letters of which are written in reverse at the center of the former:
[ t-ITANI-c ~~~ illum-INATI ]. 4 letters of which can be found
in: [ "ILLIN-ois" ~~~ "ILL-um-IN-ati" ]. See, -to make fun of it-
you have to see, when you see; almost the entire human race, when
reading language, can't see at all what's right in front of them to see.
They merely read, what they have... learned... to read, nothing else;
they merely see some aspects of language (learned in their memory)
and are utterly blind to other ostensibly visible aspects, these the
aspects the occultists and the illuminati utilize -often for mind control
and hypnosis, or to convey large sets of occultic "theology"-. Either
way these act as powerful subliminals, yet invisible to the "Conscious
Self" mind, the surface layer of the brain computer.
-------------------------------------------------------------------------
Mid-Note:
{In 1983 while in college, I one night preparing lemonade looked for
a glass and a spoon in the kitchen & had a most powerful epiphany
regarding the "Thinking" process; I realized I did not "see this" or
that particular glass and spoon, but strictly a "generic idea" of a
"learned glass & spoon" in my memory. I discovered that in our
lives we are trained to NOT SEE DIRECTLY almost anything at
all, and by-default reduce perception to a basal "I Think" mode,
that merely seeks to match automatically learned-objects/ideas
with what's in front of us. Then later by habit of repetition, these
learned-objects/ideas end up replacing perception and sight;
ultimately, we are in this way zombified or robotized via the "I
Think" process, without even realizing it. The goal of Art is to
without stop never forget how to perceive for the 1st time every
single object or being, in their unique peculiarity, without going
down into this robotic stare. This is in part the same goal of this
Gematria blog, to through the contemplation of language Patterns
be able every single time to see... what's right in front of our eyes,
yet we by reason of such robot-conditioning, are unable to see/
read at all. Some people are so zombified in this sense, that they
react in fits of anger at any Gematria concordance expose, like
protecting their brain-programming from the intrusion of a thief;
others quickly fall asleep, overwhelmed by seeing for the 1st time.
I am of the opinion that the prohibition of "Consciousness" drugs
and the legalization of Dumbing-down drugs like alcohol, follow
this exact epiphany I had; some drugs enable you to see like for
the 1st time, thus raising your perception to the real, while under-
playing the implanted "learned objects/ideas". This is of course
in great detriment to the 3D Matrix stronghold, therefore they're
banned, and inseminated in a purely "illegal recreational" & quite
addictive sense. The suggestion is that you are doing someting
"pathological", thus when people use them, this suggestion over-
rides the normal clean positive expansion of "real" perception,
betraying the lucid aspect of it all. I am also convinced that the
reason the elites sell Ideology & Religion or any system of "fixed
objects", is precisely to train the brain to ONLY "perceive" in this
robotic manner, the training consisting in NOT seeing every time
but only replaying the "learned object/idea"; the training can be
greatly enhanced by hero-worship (the fake hero another fixed
learned object), so in this way you are "exempted" by fanaticism
to actually see or perceive who that person is at all, even when it
is absolutley obvious the hero is no hero, but quite the villain...
Point being, it does not matter this or that fake-hero, what is of
value to these elites, is the training of the brain of the masses in
itself, not whether this leader or that wins or loses, at all. In other
words, external public agendas, merely a means to another very
different end, i.e. brain-training experiments into this robotic mode;
Left or Right or Center or what have you, all irrelevent to this end}.
-----------------------------------------------------------------------
The 4 enormous chimneys of the Titanic symbolize the former "Four
Worlds"; these were reinforced by the Twin Towers, the famous blue
scene of the sinking in the film, tilts the Titanic vertically, becoming
like the WTC towers, people falling from it in both cases. Leonardo
Di Caprio symbolizes the dying system (patriarchy), replaced once
again by the ancient mother-goddess (matriarchy), portrayed by
Kate Winslet (to Win); that is the reason the Queen of England has
been reigning uninterrupted since... 1952...!? (the suggestion being:
all else comes & goes, yet the mother-goddess, the Orion Queen,
will WIN -Windsor- and is here to stay). In older posts I detailed
the concordances between the names "Kate Winslet" & "Monica
Lewinsky", and also how these are supposed to act as fractals for
"(Oprah) Winfrey", in the case of the mirror-reversal from WHITE
TO BLACK. We see this also fractalized in the town's name where
Sarah Palin was Mayor: "Wasilla" (kate winslet/monica lewinsky -
a noticeable 5 letter concordance). The novel by Dan Brown "The
Da Vinci Code" portrays the very old and oh-so totally bogus setup
of Mary Magdalene as carrier of Jesus Christ's offspring -landing in
the Renees Le Chateau area of France, conveniently as foundation
for the "divine blood" of the european royalty, this the secret origin
of the occidental monarchies, this false secret propaganda-. Thus
the name of actor "Leonardo Di" Caprio in the film Titanic, is a pun
of Leonardo Da Vinci, and Kate Winslet symbolizes the Magdalene
-surviving the illuminati black magic sacrifice of humanity around
2012/2016-. What this means is a "new religion & new syncretism",
akin to the one performed by Emperor Constantine in the last days
of the Roman Empire -which ultimately led to official Christianity,
but in secret also to the newer forms of Jewish religion, and muslim
religion-. In the Titanic film Di Caprio plays "Jack" (pun of sacrificed
beloved president Jack Kennedy -representing the old white male
dying out-), while Winslet plays "Rose" (a pun of the secret Order
of the Rose -the Rose Cross or Rose Croix- another name for SION:
[ Rose=57=Sion], the Rose icon of the female Vulva, the Vesica
Pisces, the mother-goddess. If you notice, Obama's wife Michelle
Robinson quite evidently so carries this secret message; Michelle
pun of Magdalene (Magdalene obviously the "Black Madonna" of
the Medieval Ages worshipped even by Pope John Paul II, his way
of saying he was with the SION cabal), and ROBIN-SON actually
carries the "BORN-SION" so visibly it's almost laughable...! This
is why she wore that fatefull "Black Widow Spider" dress on Nov 4
Election Day party (message: the guy dies, the mother-goddess is
here to Win). Of course she knows all this, they just pretend that
thay are "normal" folk and so and so...:
www.diosa.net/circus/?p=9
As Bryan Kemila in my post "Obey the Hyper-Dimensional...part 1"
explains, what is behind all this, is a mass sacrifice to be gradually
implemented at global scale (the first World Wars a preparation
for it), at the moment of the "Cross/Crossing", thus the theology
of sacrifice in the Cross as conditioning for it, in the sense of in this
way a "Manufactured-Consent" is first extracted out of humans, in
order for the ritual to be fully implemented. The Cross/Crossing is
the moment of ASCENSION, whereby a portion of humanity grows
into the higher dimensions, while a larger portion remains anchored
to this illusory 3D semi-virtual "reality"; at this '2012/2016' great
Awakening, HyperDimensional beings have prepared themselves for
a feast in the form of a mass sacrifice, consuming kundalini energies
and even souls of humans caught in a negative debacle. This debacle
is a series of "suggested" doomed scenarios, for all practical purposes
serving as "PSYCHOLOGICAL WARFARE" on the Human Species.
This is what you see every year through several gradual high level
events of negative nature, world wars, crime, 911, collapse of health
in the sense we all live longer but never healthy, massive recessions
and unemployment, breakup of the family, women turned into gold-
diggers utilizing "love" as a business weapon ('gold' means a trophy
-be it fame, money, a hunk, whatever-), instability everywhere,
the rug pulled from under everybody, increase in working hours
and demented cult-style of jobs, devastating stress, competition
jungle-mindset for everything, shallow & lying corrupt politicians,
corporations ruining it all, presidents that are ostensibly sacrificed
to enhance the psychological warfare (kennedy, nixon's fall, clinton's
impeachment). This is a perpetual psychological warfare on humans,
ultimately effected from the hyper-dimensional realm, utilizing the
illuminati and all its front & reverse-mirroring factions (as the case
of the reverse racism, ex Farrakhan, mexican "La Raza" etc).
Freeman {from 'Freeman TV'} has splendidly captured this agenda,
which amazingly is not perceived as such by most people, as utterly
obvious as it indeed is. I recommend you watch his interviews for
a very candid description of all this, which is the most relevant one
can possibly be aware of, in these close to the '2012/2016' days.
For ex we are here exposing the "BP Oil Spill" as one more in this
series of warfare tactics aimed at the human psyche, operating at
the full sight and 'looking-the-other-way' of an Obama pretending
not to know what is going on. Yet when we just look at the name of
BP/British Petroleum itself, we see the 'proximity' of Obama and
BP in Synchronicity terms: just moving back the P to O yields his
initials B.O. (Barack Obama); you may say, but you did not move
back also the "B"... well, it does not matter, because when you also
move it back (B to A), we obtain the 1st & last letters of his last
name: "O"-bam-"A"). Also the last letter of britis"H" is the initial
of his middle name "H"ussein. The last letter petroleu"M" yields
the initial for the name of his wife -"M"ichelle-. If we add either
the full "Company" or "CorporatioN" to "British Petroleum" we
then get the last letter of his middle name hussei-"N", whereas
the short version "Co." for "Company" yields his initial "O"bama
without the need to move up/down a place in the alphabet at all.
I know, it is all 'coincidence', right? Why is it, that everybody is
so perfectly capable of talking in acronyms and such (for ex in
politics UN, GOP, DNC, etc), yet at the same time everybody is
so completely blind to quite visible acronyms like these I show?
It seems to me, people have been robotized into being capable of
great feats of MENTAL GYMNASTICS, yet remain utterly blind
and uncapable of the most basic language & acronym recognition.
This is evidence of a severe brfain malfunction, that can only be
explained along the lines of brain-programming ("blindspots" all
oveer the mental terrain map) and/or the robotization explained
in the Mid-Note.
It is also a 'coincidence' that the world champion of soccer in the
last year was Barcelona FC, otherwise known as "Barca" (usually
considered the world' most powerful winning team lately). You
see, this is a ritual; Barca's -like Obama's logo- wears a dark blue
& red (emphasis in "dark"), and most of its players are "dark", as
opposed to the "white" rival team of Real Madrid, who wears a
-not surprisingly for the ritual- all white attire. Thus you always
see the Real Madrid "losing" against Barca, and the media always
battering the Real Madrid like it's their favorite past-time. This
is a ritual, of many of similar high-profile world media, to suggest
the same; Barcelona sits right across the Pyrenees from Renees
Le Chateu area, where supposedly Mary Magdalene landed. It is
examples like these, that allow one to peer-through the matrix as
it uses language & symbols, sports & politics, religion & disasters,
trends & advertising, to wage covert psychological warfare on the
targets the Matrix deems as suitable for a ritual of sacrifice at a
certain moment & place in 3D Time/Space. The exzternal world of
Media but a convenient carrier for the codes & symbols embedded
in the rituals of sacrifice:
[ BARCA = BARAC ]
"Anyone" -be it me/you, Kemila, Farrakhan, etc etc etc- can see the
in-your-face concordances, yet very few can read the real concealed
meanings behind them (which of course the types of Farrakhan et al
always read wrong, as fully mind controlled as they are). As Kemila
points out, the entire world is l-o-a-d-e-d with constant reinforcing
"suggestion-memes", in such way that the construct of "reality" is
in itself is nothing but a MATRIX, in which the predominant mode
of domination is a disguised subliminal psychological warfare. Overt
war is not an end in itself, but a means to effect a pervasive state
of psychological warfare, from the hyper-dimensional vampires,
unto the 3D humans regarded as "kundalini food" (sacrifice, prey).
Ultimately as philosopher comedian George Carlin realized, in order
for you to survive the constant psychic attack, one has to learn the
art of detaching from this matrix, what he spelled out brilliantly as:
"TRICK IS NOT TO GIVE A SH*T". Yet detachment is one tactic,
as a human cannot cease to intermingle with reality here and now;
the other tactic is to... CONFRONT the Matrix as it is...!, and this is
only accomplished by "decoding" it. This is achieved via Increased
Awareness, thus all that reduces awareness (so makes you a sucker)
is how the Matrix wins over your consciousness, is how the psychic
attack becomes a win-win for the vampires. This blog serves as a
tool for this Increased Awareness, extending enlightenment to those
areas you are completely oblivious of.
-----------------------------------------------------------------
The leader of the "Nation of Islam" cult is Louis Farrakhan, born
Louis Eugene Walcott, heavily involved in Numerology as in the
islamic tradition -but in English-, as his Wikipedia picture states:
"May 11, 1933 (age 77)". Farrakhan seems to make a whole about
any numerological concordance such as the Wiki (11/33/77), often
delving fully into outright delusional numerology rants, which can
be categorized as mediocre numerology at best -(I cringe in horror
every time I get to read some of his numerological writings, we're
talking the worst of the worst, kindergarten level)-. He was the
one who called Obama "The Messiah", pressured to explain why
Obama had to diss him publicly, he used the metaphor of a space
rocket -he or the rev. Jeremiah Wright just being the rockets who
are delinked and fall back to Earth, while "he" the "saviour" Obama
is the one who "ascends"; of course this is occult concealment of
ATLANTIS, Obama as being in his cult the former "Atlantis Rising"
leader -AKHENATEN in Egyptian symbology- (Farrakhan so fully
obsessed with a supposed "black" Egypt, it's almost demented; his
cult a mixture of Muslim & ultra-egyptian black Masonic occultism,
black "Muslim-Mason" in full numerology and occultic symbology).
I call it simply... an "Adolf Hitler wanna-be cult", period; in fact, one
can easily see that Farrakhan has already noticed this, as his name
shares some tale-telling letters with the former:
[ ADOLF HITLER ~~~ LOUIS FARRAKHAN ]
(Alois Hitler the father of Adolf, notice the "Alois"~"Louis" fractal)
Undoubtedly Farrakhan has already caught this and much more, as
his cult is actually a full-blown "Black Supremacy" movement, in the
beginning stages only disguised as justice for the oppressed blacks
during slavery & segregation -acc to them continued to this day?-,
but unmistakably reeking of fanatical RACISM; Farrakhan (and
others in other similar agendas) seems only interested in acquiring
POWER though dubious spirituality, and setting a Black Domination
of Whites and Jews, no different that Hitler -in reverse in the case
of Whites, coinciding in the case of Jews-. I'd suggest you consider
this when looking at Barack Obama's Berlin/Germany speech, with
this subliminal symbology in mind. Unless you are brain-dead, you
will know for a fact that Louis Farrakhan and Jeremiah Wright are
racists in reverse, working for a Total Black Domination (thus a so
obvious pun "nation" -"Nation of Islam" means Domination of Black
Islam in America-). In this context, the iconic "SION" agenda must
be thought of in reverse, as a "Black Sion/Zionism", to hell with all
else; this is why it was a "Messiah" from ILLINOIS (illi-SION). We
all know Oprah Winfrey belongs to the same rev Jeremiah Wright
Trinity Church as Obama, & it was Oprah the other figure who also
referred to Obama as Messiah when live on camera she called him
"THE ONE". Now here is why she called him that, pertaining to the
Farrakhan form of oh-so mediocre numerology; in this crucial case,
we must use the most famous jewish Kabbalah encryption method,
known as the "Atbash Table", only applied to the English alphabet.
It consists of dividing the alphabet in 2, copying one half on top of
the other, observe how "ONE" becomes "BAR"(ack):
A B C D E F G H I J K L M
N O P Q R S T Y V W X Y Z
This is as goofy as it gets; yet this is precisely how a bunch of goons
masquerading as "tolerant" and "spiritual", simply seek to replace the
good-ole-boy network with a good-ole-black network, & to replace
the white-illuminati-masons, with the black-illuminati-masons, and
to replace christianism with a new version of islamism. As if this
form of blatant Mind Control Inversion ("reverse mirroring") and Bi-
Polarity pathology was by any means to be 'better' than the former,
or an 'advancement' from the present status-quo. When in fact they
are but one more Matrix destructive illusion in the menu....
-----------------------------------------------------------------------
After NOTE:
http://hoguenews.com/?p=10062
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