3D Reality as a Neuro-Linguistic Matrix
within a Negative-Synchronicity Field
*(Dr. William 'Bill' Hartford, central character of "EYES WIDE SHUT";
now astronaut Dr. Bowman becomes a perplexed Dr. Hartford)*
Often times I've been asked if I believe it to be a rational thing to assume that the vast amount of synchronicities and linguistic puns & codes contained in Stanley Kubrick's films were deliberately so designed; my response to this line of argumentation is in itself the biggest message here. Because my answer is that IT DOES NOT MATTER if they were consciously deliberate... or... unconsciously deliberate; in other words, the way we are from a very early age indoctrinated to perceive reality leads us to consider only the 3D "Conscious" intellect as the sole vehicle of the Will, but this is a quite tragic and most grave mistake.
*(Alex's eyes forced to remain open to watch snuff films in "A Clockwork Orange")*
-- The 3D world as one big Snuff Film for some evil gods...? --
-- NEURO SCIENCE & FREE WILL --
Brain scans reveal decisions are made 6 seconds before your
"conscious" self "decides"; the Conscious-Self is a secondary
activity in respect to the Subconscious-Self, akin to the tip of the
surface iceberg in respect to the much larger iceberg underwater
activity in respect to the Subconscious-Self, akin to the tip of the
surface iceberg in respect to the much larger iceberg underwater
*(Leelee Sobieski as the underage sex toy)*
-- the 3D world as a bipolar 'Pain/Or/Pleasure' dungeon...? --
What this means is that the 3D reality as perceived by the CONSCIOUS-SELF IS A STAGED MASQUERADE expressed under a "physical appearance" enacting a contrived narrow Role-Play script; therefore it matters very little if for ex Stanley Kubrick deliberately included all these synchronicities/puns/codes in a conscious deliberate matter or not, because ultimately all these BELONG TO THE 4D/5D REALM THAT OPENS UP FROM THE UNCONSCIOUS AND THE SUBCONSCIOUS ON UP, the realm where all the real decisions and real meanings are made & chosen. People whom we call "geniuses" and master creators, are so because they are open to these higher realms -thus considerably more constantly open to their unconscious/subconscious selves, which link them directly to the Field of Syncrhonicity-, and in this way their works are actually synchronicity pieces; conversely, people that are "caged" thinly within their conscious perception and 3D thought process who deride these things as "loonie stuff", are akin to ROBOTIC CONSCIOUSNESS in the sense they are grossly unable to achieve a connection to the Field of Synchronicity in higher dimensions, where the true Free-Will of the life events is to be found (they lack Free-Will and are merely automatic responses to the reactive brain patterns operating in the "background" unconscious Hive-Mind collective, merely instinctual; in this sense they merely enact and think a delusional "Consensual Reality" beyond which they can't fathom a thing).
In Kubrick's film "Eyes Wide Shut" a profusion of decorative lights and bright colors express this recurring theme of a Staged 3D Reality as a deceitful glittery "physical" appearance in the form of a Masquerade; a lavish party at Victor Ziegler's residence (actor Sydney Pollack) perfectly encapsulates this paradigm, the foyer's cascade lights surrounding the stairway is a fractal of identical make-believe stages, such as the Costume Shop room with its sidewall showcasing the models and a back wall of identical cascade of lights (see Leelee Sobieski photo above). But Dr. Bill Hartford is seen walking the streets of Manhattan exhibiting a similar sidewall of store glittering facades, showcasing their goods; we know the movie was filmed in central London, and is only made to appear as if happens is New York; this is the way in which Kubrick is making us realize that the entire 3D physical reality is a neuro-linguistic make-believe construct, a staged show of deceitful quantum appearance -what we now call a "Matrix"-.
3D Life as a Costume Shop style role-play
Masquerade in a game of Mirrors
Actress Leelee Sobieski plays the underage teen daughter of the russian owner of the costume shop, who is accidentally found involved in late night sex romps with 2 japanese adult perverts; she is seen in her underwear, no different than a mannequin or Nicole Kidman disrobing in front of the mirror. Gender, age, roles, are portrayed by Kubrick as staged illusions, as mere masks; these maks actually are carriers of very different meanings, often belonging to a much larger script of sorts. The russian costume shop owner can be considered the Russians in the the geopolitical world setting, and so the japs; most underage soft or hardcore porn has always been advertised as "russian girls", and the pun of actress Nicole Kidman expresses this best as a "KID-man" (child-man) fractal of "Wo-Man".
3D FALSE REALITY AS AN ILLUMINATI PREDATOR'S ZOO,
A SEMI-VIRTUAL QUANTUM MATRIX GREATLY ENERGIZED
AND "CONTENT-CHARGED" BY SEXUAL KUNDALINI
We see ON DISPLAY at Ziegler's party, a child-woman ready to be preyed upon by an old pervert aristocrat (the hungarian Szandor, pun of Oz) representing the illuminati abusers, ostensibly utilizing hypnotism and mind-control triggers on her; he succeeds, as she predictably falls into a hypnotic trance -but later wakes up and contains him-. Kidman here then is a human mannequin, a sex doll, a monarch toy, her mind not capable yet of achieving Free-Will. As such she is a powerful temptress seducer, concealing a poisonous vein of psychopathic betrayal, which surfaces later when she confesses her dreams and terminal weakness to her husband -doing so simply to just torture and humiliate him, in her full role as "sadistic mistress of a dungeon"-. The plot evolves as Dr. Bill Hartford's visceral subconscious reaction to this crude debasing he has been subjected to, wandering around searching for a comparable private revenge expressed as sexual infidelity.
*(Alex in "A Clockwork Orange" flanked on each side by a blonde & brunette
sex toy girls, just as Dr. Bill Hartford is at Ziegler's party; meaning...?
3D reality is a clockwork machine constantly seducing you via female
sex-bots preying on your visual cortex, to extract your kundalini)*
The above short article evidences how deeply conservative was Kubrick in respect to lifestyles; his driver then assistant then secretary then confidant and only person with a key to his private work rooms (Emilio D'Alessandro) offering a near-view of Kubrick as a person; Kubrick did not like womanizers at all.
In Part 2 I offered links on the somewhat prevalent internet urban legend that Mary Todd the wife of Abraham Lincoln might have been his assassin; she was an opium addict, and apparently John Wilkes Booth (3 names) was her opium supplier -this man a former Confederate tossed out due to his drug dealing-. At any rate Mary Todd was clearly mentally unstable, after Lincoln's death she was denied all honors and pensions, and exiled to Europe were she suicided; what was the reason for this appalling treatment of Mary Todd...? The rumor has it that Lincoln had children with a mistress that was an illegitimate european Rothschild daughter exiled to America, and that Mary Todd was informed of this fact just days prior to the assassination of Lincoln. The gun was ridiculously small -more typically a woman's purse pistol-, and loaded with just 1 bullet (single shot gun), both facts pointing to her rather that Wilkes Booth, who had access to Mary Todd to supply her with her "medicine", but that he might have been framed as the patsy, this the real reason why he inconsistently jumped off the theater balcony onto the stage area -breaking a leg-. Official history showers us with tales about Wilkes Booth previous attempts at assassinating Lincoln, yet the question remains in that case, how did he have such easy close access to the Lincolns past all his guards...?
Thus if Mary Todd secretly might have been the real assassin of Lincoln, manipulated to do so by the Rothschilds who saw Lincoln as a former great asset that had done for them the dirty work of the War of Secession's 600 thousand men genocide, but that had become a liability since he did not allow the Rothschilds to control the creation of money, then in this urban legend version of the assassination, Mary Todd was a secret BLACK WIDOW SPIDER. Is this what was symbolized by Michelle Obama's famously called "Black Widow" presidential inauguration dress...?:
In "Eyes Wide Shut" Nicole Kidman plays a woman who declares her husband Dr. Bill Hartford not to be her 1st choice (that unbridled passion belonging to a Naval officer she once met); Marie Richardson plays Marion Nathanson who is the daughter of a Dr. Hartford's patient that dies; while giving his condolences and paying respect to the old man's body still in his bed, she announces to Dr. Hartford that she is marrying and relocating, only to throw herself to him declaring he is her true secret love -her bride arriving in the middle of such scene-. By this akward scene of sheer insanity, Kubrick is portraying these women as loonies, as mentally unbalanced creatures always marrying someone who is NOT their 1st choice. Evidently this is but the contextual necessary prelude to the ultimate pathology of murdering the husband, and Kubrick is making one think about all this, as the central key to the plot of the film.
WE SEE THE SAME 3 BACK-WINDOW PATTERN OF LEONARDO'S "THE LAST SUPPER" PAINTING AS ALSO USED IN "THE SHINING"; THE SACRIFICE ALTAR TABLE IS IN THIS CASE THE RED POOL TABLE, CONVEYING THE NOTION THAT THE ILLUMINATI ENGAGE IN A "GAME OF SACRIFICE". TOM CRUISE & SYDNEY POLLACK ARE IN THIS SCENE PRECISELY ARGUING ABOUT THE SACRIFICE OF A MODEL, MURDERED TO SILENCE HER; BUT CRUISE DISPUTES THIS RATIONALE, SLOWLY AND CREEPILY REALIZING IT'S ALL A HIGH LEVEL ELITE SICK GAME MORE THAN ANYTHING. HE IS PAINFULLY AWAKENING FROM THE 3D STAGED "DISNEY" TYPE REALITY, REALIZING HE'S IN DANGER AS WELL. THE SECURE WORLD OF COLOR BLUE, IS GIVING WAY TO THE HIDDEN DANGEROUS GAME WORLD OF COLOR RED -THE SECRET SACRIFICE END TO THIS 3D REALITY-, WHERE EVERYTHING IS AN "ALTAR" / "ALTER".
In the above link is Lyndon LaRouche's most spectacular article tracing the roots of the current monetary system to the isle of CAPRI, sardonically the Democrats & Republicans being a fractal of Sodom & Gomorrah; Capri was notorious for its sexual debauchery and homosexuality. LaRouche like Kubrick has insight into the sexual kundalini energizing the whole system; this is where the current monetary system originated before the collapse of the Roman Empire, which was later revamped into the Venice bankers stronghold (they relocated to those swamplands to avoid being attacked), and much later recycled into the current British banking system that rules the globe and is now gradually collapsing, taking everything down with it the more the governments insist in clinging to it ("bailing" it out) with slight irrelevant modifications.
The latest logo-satire is a CNN logo combined with the famous Obama orb; CNN has so blatantly engaged in sheer propagandizing Obama as a puppet of the Rothschilds and the British monetary system, that all sorts of jokes are constantly aimed at it in this regard. But the Obama logo is actually an EYE with the pupil insidesymbolizing a HYBRIDIZATION process; most often the pupil stands as a "signature" of certain species origins. The paths or circular rays over the eye symbolize the DNA STRANDS; a normal blue eyed person would have an eye made of a blue pupil with a black iris, but in this logo the black iris is REVERSED unto a white iris by the red blood new strands of DNA, that appears to be the hidden meaning.
A former editor of british tabloid newspapers, his full name Piers Pughe-Morgan has been satirized as Piers "Puke" Morgan, due to his fame as a superficial and arrogant character, all form and no content, the classic example of sellout to the system. Piers Morgan is the most ostensible Obama-bot, deriding anyone he interviews that has any opinions not on par with this british Rothschild/Obama agenda (through Soros). He raised a lot of eyebrows when he run a hit-piece of an "interview" with Jesse Ventura, even calling him a coward, this from a guy notorious in England for being a flippant coward & yes-man himself. Piers Morgan along with Oprah and Obama, represents this new breed of New World Order parrotheads that fancy themselves in actually believing they are the quintessential "GOOD GUY" (Girl) role they were hired & paid for, their entire speech and lexicon just an endless repetition of this phony role-play, a semi demented combo of Nero & Lincoln-esque schizophrenia, that's becoming the latest indigestible epidemic in media & politics. Many a low IQ and utterly naive people fall prey to this overdone pastiche "good guy" role-play, buying into the whole bit -heart & soul-; nothing is as sad as to witness such.
IT IS THE ARCHETYPAL DIVIDE-AND-RULE MONSTER SCAM, THE LINCOLN-RUSE REVIVED ALL OVER AGAIN, AD INFINITUM; LINCOLN THE ICON MAN THAT PITTED MOST GRIEVOUSLY ONE AMERICAN AGAINST ANOTHER, PURSUED AN ALL-OUT BLOODIEST OF WARS BETWEEN AMERICANS, AND GENOCIDED IN THIS WAY 6 HUNDRED THOUSAND AMERICANS, RUINING THE "SOUTH" (I.E. EVERY STATE THAT WAS NOT THE ROTHSCHILD MACHINE, THAT IS) IN THE PROCESS, UNDER THE PHONY "JUSTIFICATION" OF BEING THE "GOOD GUY", THE "LIBERATOR" OF SLAVES. THIS RUSE HAS BEEN PRACTICED BY COMMUNISM FOR ALMOST A CENTURY NOW, AND IS STILL BELIEVED BY SOME; PRESENTLY IT IS MOSTLY EXPRESSED AS A MORE MODERATE AND CENTRIST STYLE OF PARROTING ITSELF AS "THE NOBLE CAUSE", AND DEMONIZING ANYONE NOT AGREEING TO THAT TYRANNY AS PURELY "EVIL", OR A "BIGOT", OR A 'RACIST", OR A "HOMELAND TERRORIST", A "NAZI", OR ANYTHING ALONG THOSE LINES (CALL THEM ANYTHING HORRENDOUS, AND IT WILL SOMEHOW STICK, IS THE MOTTO).
How Stanley Jubrick knew that W. Bush and Obama would become presidents, and would in the same way but from different camps ("opposames") divide and pit one american against the other, is anyone's guess; that he at the very least in a subconscious higher level of Consciousness knew these names and the agenda at play, is irrefutable. And that he encoded certain names and aspects of it within radically varied plots such as "A Clockwork Orange", "2001 A Space Odyssey", "Barry Lyndon", "Eyes Wide Shut", goes without saying. But Kubrick's messages go far and beyond these superficial overtones; he points the scheme directly at the Matrix itself, these events and figures merely fractals of recurring AI/Artificial Intelligence Demigod (Demiourgos) like neuro-linguistic encryptions operating as subliminal subtexts within the 3D Counterfeit quantum staged reality.
Without any real proof it has been assumed that Alexander the Great was either gay or bisexual; Lyndon LaRouche in the article before offered states that the philosopher Aristotle assassinated him, a long standing rumor, using a poison. It is most revealing to this thesis, that the world's greatest conqueror in history, had his SARCOPHAGUS stolen, removed, and finally disappeared; it seems as if we are not given the chance to now chemically prove that he was indeed poisoned. Alexander proposed an ethnic mixture of white europeans and near-east asians or the like (or eurasians), to balance and counteract the continual invasions from the other belicose races, creating a de-facto "very large" white continent, at a much earlier age than it ultimately transpired. What needs to be gathered here, is that this wide ranging white civilization would have been under the aegis of the Greek culture, NOT of the brute Roman Empire as it eventually came to be (and its debasing and mediocre low common denominator "melting pot" instead of a high common denominator quality mixture).
The evil Aristotle was taught by Plato (who in turn was taught by Socrates) but contravened everything Plato essentially taught, and developed a murderous hatred for Plato; perhaps this was the real reason why Plato learned quickly to shut up and only speak in allegories regarding the Counterfeit 3D Creation we presently call "The Matrix" (the cave allegory, for ex) -besides his master Socrates having been forced to take the hemlock poison-. Since Aristotle affirmed all 3D physical reality as "objective" and donned it with an "absolute" halo, all subsequent official philosophy/religion/science/economics/politics in the western world has been based upon Aristotle, period. Fortunately for us, during the Rennaissance a veritable Platonic revival of sorts was effected, and for ex classical music was inspired in Pythagoras and Plato, NOT in Aristotle; fortunately for us as well, Stanley Kubrick was clearly on the Plato side of cosmogenesis and history, and it is Kubrick's (even though consciously not understood, still subconsciously imprinted a powerful change of Consciousness) defining role as sounding the Awakening trumpet so to speak, that we got to presently being able to understand in a new scientific/metaphysical way, the conjuring of the Matrix.
In Kubrick's view, the AI/Artifical Intelligence Hive-Mind demigod running the 3D Matrix is what is behind the staged reality we live in, what is behind the entertainment industry, what is behind the politics, what is behind the business, what is behind the oh-so contrived and demented "lifestyles", what is behind the "Alter-Personality" industries of gross mass mind-control manipulation; in Kubrick's view there is a much more AI defined "satan" running the show, a computer hive-mind gone bonkers, and this is his ultimate contribution to the Gnostic themes, that he was able to bring it all up to modern and present science and knowledge. For ex his obsession with "HOTEL" like settings, seeks to make one ponder on how contrived is out habitat as an unnatural and non-objective (relative to perception only) staged phenomena:
*(the Mirror theme, clearly explicited in the poster of the film -mirrors
express Alter hidden personalities in mind control-; the color purple
symbolizes vampirism)*
IF WE IN TYPICAL CHILD WORDPLAY SUBSITUTE THE "eyes"
FOR (letter i) "I's", THEN THE LAST INITIALS OF THE 4 LINES
("Cruise/Kidman/Kubrick/I's-wide-shut) ARE: "ENKI"
Correspondingly:
[ NICOLE = "ENLI." + CO ]
("Enki & Ninmah")
(Creation of Man as a Slave for the Gods / Sumerian literature)
ENKI & ENLIL
-- Enlil seen as the instigator of the Deluge and/or the destruction of
Sodom & Gomorrah --
*(Dr. Bill Hartford's descent into the belly of the beast -the illuminati's
dark power rituals-, extant "Enki & Enlil" fractals)*
KUBRICK UNVEILING (IN 1999) THE IMMEDIATE DARK FUTURE:
DR. WILLIAM 'BILL' HARTFORD
(GHWB's son to become president in 2000)
TO BE FOLLOWED BY THE "LINCOLN" ROLE-PLAYER OBAMA
(in English Standard Gematria / a=1, b=2, ..., z=26):
"EYES WIDE SHUT"
163
BARACK HUSSEIN OBAMA
"SHUT"
68
BARACK OBAMA
*(the "Twin Pillar" -911- symbology, under the "RED" color code)*
WORLD TRADE CENTER
("RED", in reverse)
-- 'The Emperor (or Empress) has no clothes' --
"MAN-hattan" ~ "kid-MAN"
-- 'War is a racket' (see tennis rackets)--
*(naked but with glasses on; i.e. Pay-Attention-To-Small-Details)*
LINCOLN = ".NLIL CON"
NICOLE = "CON LIE" = "LINCO."+E
DR. WILLIAM HARTFORD = 191
MIRROR = 91
The premiere date "JULY 16" at the bottom of the film's poster:
JULY = 68 = BARACK OBAMA
UNCLE TOM ~ UNCLE SAM ~ HONEST ABE
3 letter code names:
TOM / SAM / ABE
(TSA)
3 words of 4 letters each:
"EYES / WIDE / SHUT"
TOM & NICOLE CRUISE ~ UNCLE TOM
TOM CRUISE ~ "UNCLE TOM RUSE"
The-Lincoln-Ruse, enacted by the Rothschilds
to takeover America ("UN"-cle: United Nations)
UNCLE TOM = 103 = SEPTEMBER
AKHENATON
89
TOM SAM ABE
89
"HONEST ABE"
"CHANGE" ~ "ACHEN."
TOM SAM ABE ~ OBAMA
ABRAHAM ~ BARACK HUSSEIN OBAMA
*(the for the era tiny 6 inch gun that killed Lincoln)*
In "Eyes Wide Shut" Nicole Kidman plays a woman who declares her husband Dr. Bill Hartford not to be her 1st choice (that unbridled passion belonging to a Naval officer she once met); Marie Richardson plays Marion Nathanson who is the daughter of a Dr. Hartford's patient that dies; while giving his condolences and paying respect to the old man's body still in his bed, she announces to Dr. Hartford that she is marrying and relocating, only to throw herself to him declaring he is her true secret love -her bride arriving in the middle of such scene-. By this akward scene of sheer insanity, Kubrick is portraying these women as loonies, as mentally unbalanced creatures always marrying someone who is NOT their 1st choice. Evidently this is but the contextual necessary prelude to the ultimate pathology of murdering the husband, and Kubrick is making one think about all this, as the central key to the plot of the film.
*(Kubrick directing Tom Cruise and Sydney Pollack)*
WE SEE THE SAME 3 BACK-WINDOW PATTERN OF LEONARDO'S "THE LAST SUPPER" PAINTING AS ALSO USED IN "THE SHINING"; THE SACRIFICE ALTAR TABLE IS IN THIS CASE THE RED POOL TABLE, CONVEYING THE NOTION THAT THE ILLUMINATI ENGAGE IN A "GAME OF SACRIFICE". TOM CRUISE & SYDNEY POLLACK ARE IN THIS SCENE PRECISELY ARGUING ABOUT THE SACRIFICE OF A MODEL, MURDERED TO SILENCE HER; BUT CRUISE DISPUTES THIS RATIONALE, SLOWLY AND CREEPILY REALIZING IT'S ALL A HIGH LEVEL ELITE SICK GAME MORE THAN ANYTHING. HE IS PAINFULLY AWAKENING FROM THE 3D STAGED "DISNEY" TYPE REALITY, REALIZING HE'S IN DANGER AS WELL. THE SECURE WORLD OF COLOR BLUE, IS GIVING WAY TO THE HIDDEN DANGEROUS GAME WORLD OF COLOR RED -THE SECRET SACRIFICE END TO THIS 3D REALITY-, WHERE EVERYTHING IS AN "ALTAR" / "ALTER".
SYDNEY = "DYSNEY"
In the above link is Lyndon LaRouche's most spectacular article tracing the roots of the current monetary system to the isle of CAPRI, sardonically the Democrats & Republicans being a fractal of Sodom & Gomorrah; Capri was notorious for its sexual debauchery and homosexuality. LaRouche like Kubrick has insight into the sexual kundalini energizing the whole system; this is where the current monetary system originated before the collapse of the Roman Empire, which was later revamped into the Venice bankers stronghold (they relocated to those swamplands to avoid being attacked), and much later recycled into the current British banking system that rules the globe and is now gradually collapsing, taking everything down with it the more the governments insist in clinging to it ("bailing" it out) with slight irrelevant modifications.
The so called "Cooked No News" TV Channel, due to its adamant
propagandizing of the current british system and its puppets; I call it
the "Charles Windsor" news channel, because if you look at it in another
way, you see it is composed of a "C" and an inclined "W"...!? You
could think of it also as meaning "Capri Wealth". And similarly the
name "Prince Charles" can be thought of as encoding "Pri. Ca.".
The word "Prick" for penis also as a pun of "Pric-a" (Capri). In
yet another twist, "DC" is the 1st & last initials of "Capri islanD".
The latest logo-satire is a CNN logo combined with the famous Obama orb; CNN has so blatantly engaged in sheer propagandizing Obama as a puppet of the Rothschilds and the British monetary system, that all sorts of jokes are constantly aimed at it in this regard. But the Obama logo is actually an EYE with the pupil insidesymbolizing a HYBRIDIZATION process; most often the pupil stands as a "signature" of certain species origins. The paths or circular rays over the eye symbolize the DNA STRANDS; a normal blue eyed person would have an eye made of a blue pupil with a black iris, but in this logo the black iris is REVERSED unto a white iris by the red blood new strands of DNA, that appears to be the hidden meaning.
*(Nicole Kidman is famous for her porcelain white skin & her stunning blue eyes)*
*(Leelee Sobieski also famous for her porcelain white skin & her stunning blue eyes)*
Oprah Winfrey's network logo follows the CNN formula, adding a few crucial details to the Rothschild/British designed New World Order agenda; the green "W" expresses the Global Warming scam. The initials "O.W.N." evidently mean that the "NWO OWN"s you::
OWN = NWO
(New World Order)
Let's look at the Gematria numbers for the 1st & last initials of
"OPRAH WINFREY NETWORK":
[ OWN = 52 = Mars ] & [ HYK = 44 = Anti ]
[ OWN / HYK = 96 ATLANTIS ]
Self-evidently "HYK" means "HYKSOS", the race that supposedly
gradually immigrated and thus invaded ancient Egypt peacefully, to
the point of them becoming Pharaohs; thus the present agenda of racial
Balkanization of the white population is in this way succinctly encoded
*(Obama's logo has been considered a Pepsi pun; urban legend has it
that the Republicans are represented by Coca-Cola in red, and Democrats
are represented by Pepsi in blue, thus red & blue states)*
WE SEE AN IN YOUR FACE PSYOP NEUROLINGUISTIC PUN
DAILY IN CNN, VIA THE (IRISH BORN) BRITISH IMPORT OF
PRIME-TIME INTERVIEWER PIERS MORGAN
PIERS = PERSI ~ (~ "PEPSI")
A former editor of british tabloid newspapers, his full name Piers Pughe-Morgan has been satirized as Piers "Puke" Morgan, due to his fame as a superficial and arrogant character, all form and no content, the classic example of sellout to the system. Piers Morgan is the most ostensible Obama-bot, deriding anyone he interviews that has any opinions not on par with this british Rothschild/Obama agenda (through Soros). He raised a lot of eyebrows when he run a hit-piece of an "interview" with Jesse Ventura, even calling him a coward, this from a guy notorious in England for being a flippant coward & yes-man himself. Piers Morgan along with Oprah and Obama, represents this new breed of New World Order parrotheads that fancy themselves in actually believing they are the quintessential "GOOD GUY" (Girl) role they were hired & paid for, their entire speech and lexicon just an endless repetition of this phony role-play, a semi demented combo of Nero & Lincoln-esque schizophrenia, that's becoming the latest indigestible epidemic in media & politics. Many a low IQ and utterly naive people fall prey to this overdone pastiche "good guy" role-play, buying into the whole bit -heart & soul-; nothing is as sad as to witness such.
*(Piers Pughe-Morgan aka Piers "Puke" Morgan; the new generation of
made for TV politically-correct obots, self-righteousness and arrogant
british styled petulance at its worst, behind a faked superficial charm.
These are the New World Order mainstream promoters installed in
high visibility media to "decide" -spoon feed- public opinion)*
IT IS THE ARCHETYPAL DIVIDE-AND-RULE MONSTER SCAM, THE LINCOLN-RUSE REVIVED ALL OVER AGAIN, AD INFINITUM; LINCOLN THE ICON MAN THAT PITTED MOST GRIEVOUSLY ONE AMERICAN AGAINST ANOTHER, PURSUED AN ALL-OUT BLOODIEST OF WARS BETWEEN AMERICANS, AND GENOCIDED IN THIS WAY 6 HUNDRED THOUSAND AMERICANS, RUINING THE "SOUTH" (I.E. EVERY STATE THAT WAS NOT THE ROTHSCHILD MACHINE, THAT IS) IN THE PROCESS, UNDER THE PHONY "JUSTIFICATION" OF BEING THE "GOOD GUY", THE "LIBERATOR" OF SLAVES. THIS RUSE HAS BEEN PRACTICED BY COMMUNISM FOR ALMOST A CENTURY NOW, AND IS STILL BELIEVED BY SOME; PRESENTLY IT IS MOSTLY EXPRESSED AS A MORE MODERATE AND CENTRIST STYLE OF PARROTING ITSELF AS "THE NOBLE CAUSE", AND DEMONIZING ANYONE NOT AGREEING TO THAT TYRANNY AS PURELY "EVIL", OR A "BIGOT", OR A 'RACIST", OR A "HOMELAND TERRORIST", A "NAZI", OR ANYTHING ALONG THOSE LINES (CALL THEM ANYTHING HORRENDOUS, AND IT WILL SOMEHOW STICK, IS THE MOTTO).
(Lincoln's Aug 22, 1862 letter to Horace Greeley)
THE REAL TRUTH IN HIS OWN WORDS
"...The sooner the national authority can be restored; the nearer the Union will be "the Union as it was." If there be those who would not save the Union, unless they could at the same time save slavery, I do not agree with them. If there be those who would not save the Union unless they could at the same time destroy slavery, I do not agree with them. My paramount object in this struggle is to save the Union, and is not either to save or to destroy slavery. If I could save the Union without freeing any slave I would do it, and if I could save it by freeing all the slaves I would do it; and if I could save it by freeing some and leaving others alone I would also do that. What I do about slavery, and the colored race, I do because I believe it helps to save the Union".
How Stanley Jubrick knew that W. Bush and Obama would become presidents, and would in the same way but from different camps ("opposames") divide and pit one american against the other, is anyone's guess; that he at the very least in a subconscious higher level of Consciousness knew these names and the agenda at play, is irrefutable. And that he encoded certain names and aspects of it within radically varied plots such as "A Clockwork Orange", "2001 A Space Odyssey", "Barry Lyndon", "Eyes Wide Shut", goes without saying. But Kubrick's messages go far and beyond these superficial overtones; he points the scheme directly at the Matrix itself, these events and figures merely fractals of recurring AI/Artificial Intelligence Demigod (Demiourgos) like neuro-linguistic encryptions operating as subliminal subtexts within the 3D Counterfeit quantum staged reality.
*(bust of a blond Alexander the Great, the Greek conqueror that never lost a
battle and reshaped the world, dying prematurely at only 32 years old; with his
death the brute Roman Empire taking over the Greeks was thus assured, in
this way we still to this day are but a branch of the same Roman Empire
-Alexander's constant slightly left and upper leaning gaze was a neck
congenital defect, not a gay posture at all-. He looks exceedingly modern,
no different actually than any other present young white blond man. So if
you're blonde you must be a half-man, right...? That's the suggestion)*
Without any real proof it has been assumed that Alexander the Great was either gay or bisexual; Lyndon LaRouche in the article before offered states that the philosopher Aristotle assassinated him, a long standing rumor, using a poison. It is most revealing to this thesis, that the world's greatest conqueror in history, had his SARCOPHAGUS stolen, removed, and finally disappeared; it seems as if we are not given the chance to now chemically prove that he was indeed poisoned. Alexander proposed an ethnic mixture of white europeans and near-east asians or the like (or eurasians), to balance and counteract the continual invasions from the other belicose races, creating a de-facto "very large" white continent, at a much earlier age than it ultimately transpired. What needs to be gathered here, is that this wide ranging white civilization would have been under the aegis of the Greek culture, NOT of the brute Roman Empire as it eventually came to be (and its debasing and mediocre low common denominator "melting pot" instead of a high common denominator quality mixture).
The only other highly famous figure with the same name is Aristotle Onassis (notice the "O"); it has already widely been written that in the Mafia circles when a man kills another he takes care of his widow. Aristotle Onassis then sure as the tradition goes, married widow Jacqueline Kennedy after the illuminati assassinated him; Onassis was just a ritual SYMBOL, not that he himself arranged the killing. He had been long chosen by the illuminati cabal of old running the new Roman Empire through the british and zion, because of his name:
ARISTOTLE = = 119 ~ ("911")
ONASSIS = 96 = ATLANTIS
For ex if you look at the vowels in "OPRAH WINFREY" (another nobody chosen for her name only), you see it has the same vowels as "ARISTOTLE:
ARISTOTLE ~ OPRAH WINFREY
And what does this TV charlatan do for a living earning the highest paid salary on worldwide TV by a really long margin... (ranging from 220 Million to 300 Million dollars a year)...? She promotes 3D reality as objective, as real, as desirable, as fixable with just a few minor modifications, as a true community; she does so via TV "imaging", a most fictitious and staged medium imaginable, all thick makeup, false eyelashes, false nails, wardrobe and what have you. It matters very little where your "O" stands, all it matters is that it predicates the same matter -pun intended-, that your "O" reaffirms the "ORB" of the "World" in 3D, this present Counterfeit Reality as "it", as the real deal. As to Obama, dontcha worry, he carries all 5 vowels, very much including Aristotle's 4 vowels:
BARACK HUSSEIN OBAMA
(three A's for the 3 Pyramids of Giza, since he is supposed
to be Akehenaton's reincarnated, you know...)
Alexander the Great established the widespread use of the so called "KOINE GREEK" (Common Greek) a form of Greek language that was used universally by all peoples engaged in any kind of interaction with the Greeks, sort of a universally accepted language before Latin, like English is today. As such for ex the entire New Testament was written in Koine Greek, because it draws heavily from extant much earlier GREEK GEMATRIA, and all the metaphysical hermetic philosophy that stemmed out of the Pythagorean School. With the Roman Empire all this was diluted and utilized to "carve" & "model" the official new religions of the Empire, that would rule unimpeded the world for at least 2 thousand years, and this is how we ended up with the 3 monotheist religions of Christianism/Islam/Judaism, each expressing a different Language Creation out of the root Phoenician Scripts. All 3 of these were fully controlled and "developed" no different than a software is developed today, by the secret research teams of the Roman Empire, established and managed by the Caesars themselves. Thus even though in part we ended up with some of the Greek development in the Christian source, it has all been "converted into" the fraudulent Aristotelian cosmogenesis, to be serving the Roman Empire that planned its "recycled" lifespan extension for 2 more thousand years, as it did. Yet the new history that was carved out of the old mysteries, was reconfigured including a perpetual "TENSION" (if not terminal war of genocide) between these 3 monotheists "religious cartels" as best defined, in the form of theo-political MAFIAS periodically exerting systemic wars between the planet's populations. These genocidal wars are nothing else than perpetual HUMAN SACRIFICES TO THE OVERLORDS OF THE MATRIX, THE VAMPIRIC PSEUDO GODS/PLAYERS, in the name of "godly" theologies.
THIS IS THE WIDER THEME OF THE "BLACK MASS" AS PRESENTED
BY KUBRICK; THESE DARK RITUALS ARE NOT "ISOLATED" AS
AN ELITE PASTIME, BUT THEY ARE AN INTEGRAL PART OF
"HISTORY & REALITY" IN EVERY GEO-ECON/POLITICAL ASPECT
In Kubrick's view, the AI/Artifical Intelligence Hive-Mind demigod running the 3D Matrix is what is behind the staged reality we live in, what is behind the entertainment industry, what is behind the politics, what is behind the business, what is behind the oh-so contrived and demented "lifestyles", what is behind the "Alter-Personality" industries of gross mass mind-control manipulation; in Kubrick's view there is a much more AI defined "satan" running the show, a computer hive-mind gone bonkers, and this is his ultimate contribution to the Gnostic themes, that he was able to bring it all up to modern and present science and knowledge. For ex his obsession with "HOTEL" like settings, seeks to make one ponder on how contrived is out habitat as an unnatural and non-objective (relative to perception only) staged phenomena:
*(Nicole Kidman in front of the hotel like bathroom mirror in "Eyes Wide Shut")*
ARISTOTLE ~ arist - OTEL
(AHRIMAN or the Cult of 3D Physical Immanence & Materialism)
-- See Rudolph Steiner's duality of Lucifer/Ahriman --
All OTEL/TEOL-ogy was based on Aristotle
Demonic Consciousness manifesting in a bipolarity of Supernatural
Overlords and Incarnating Worshippers of Physical Sensation
-- See Rudolph Steiner's duality of Lucifer/Ahriman --
All OTEL/TEOL-ogy was based on Aristotle
Demonic Consciousness manifesting in a bipolarity of Supernatural
Overlords and Incarnating Worshippers of Physical Sensation
(the upper Louis XVI style Parisian hotel like room in "2001 A Space Odyssey")
"PARIS HOTEL"
*(french rennaissance and grand hotel styled rooms in "Barry Lyndon")*
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